
Dante Gabriel RossettiEngeland, 1828–1882Aurea Catena
Kan ik het zien?
Nu niet te zien
Waar is „Aurea Catena” nu? Collectie: Harvard Art Museums, Cambridge. Nu niet te zien. Gecontroleerd 29 september 2026.
Cambridge, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over het werk
Three sheets, joined (vertical strip at upper left; horizontal join below center). Laid down. Drawing is slightly irregular.
Harvard Art Museums
Gegevens
- Inventarisnummer
- 1943.744
In de catalogus
Bronnen
- Harvard Art Museums
- Afbeelding: Harvard Art Museums — © President and Fellows of Harvard College
In het leven van Dante Gabriel Rossetti
Het hele leven1862–1866
Designing his sister Christina’s books
With his sister, the poet Christina Rossetti, Dante Gabriel designed and illustrated the first edition of “Goblin Market” (1862) and “The Prince’s Progress” (1866); his key bindings were designed between 1861 and 1871.
1862–1882
A Tudor house at 16 Cheyne Walk
After his wife’s death Rossetti leased a Tudor house at 16 Cheyne Walk in Chelsea, where he lived for twenty years surrounded by extravagant furnishings and a parade of exotic birds and animals.
1864–1867
The first commissions from the patron Leyland
In 1864–1867 Rossetti began to receive his first commissions from the patron and collector Frederick Richards Leyland, who collected Renaissance art and Pre-Raphaelite painting.
1869
Poems from the grave: the exhumation
Prevailed upon by friends, in particular Charles Augustus Howell, Rossetti in 1869 had his poems exhumed from his wife’s grave in order to collate and publish them.
1869–1874
Kelmscott Manor: a summer house and a retreat
In 1869 Morris and Rossetti rented Kelmscott Manor at Kelmscott, Oxfordshire, as a summer home, but it became a retreat for Rossetti and Jane Morris: they spent summers there with the Morrises’ children while William Morris travelled to Iceland in 1871 and 1873.
1870
The 1870 “Poems”
In 1870 Rossetti published the volume “Poems by D. G. Rossetti,” collating the recovered texts and some translations, such as his 1869 “Ballad of Dead Ladies” after Villon; the word “yesteryear” is credited to Rossetti as a neologism used for the first time in this translation.













