At the Prado (Au Prado), Edouard Manet, 1865/1868
Édouard Manet, portretÉdouard ManetFrankrijk, 1832–1883

At the Prado (Au Prado)

1865/1868 · Print

Kan ik het zien?

Nu niet te zien

Waar is „At the Prado (Au Prado)” nu? Collectie: National Gallery of Art, Washington D.C. Nu niet te zien. Gecontroleerd 29 september 2026.

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
Ongewijzigd sinds
Bron
Het museum

Gegevens

Inventarisnummer
1983.88.1

Wat het toont

In de catalogus

Bronnen

In het leven van Édouard Manet

Het hele leven
  1. 1863

    “The Luncheon on the Grass” at the Salon des Refusés

    The Salon of 1863 rejected “The Luncheon on the Grass” (originally “Le Bain”), and Manet exhibited it at the Salon des Refusés, a parallel exhibition initiated by Napoleon III after a public outcry, the jury having accepted only 2,217 of more than 5,000 submissions. The juxtaposition of dressed men and a nude woman and the sketch-like handling caused a scandal; one critic compared the brushwork to a “floor mop”.

  2. 1863

    Marries Suzanne Leenhoff

    In 1863, a year after his father's death, Manet married Suzanne Leenhoff at a Protestant church: a Dutch-born piano teacher two years his senior with whom he had been romantically involved for about ten years. Auguste Manet had employed her to teach his sons the piano, and she may also have been Auguste's mistress.

  3. 1865

    “Olympia” at the Salon: a scandal

    In 1865 the Salon accepted “Olympia”, and the frank depiction of a self-assured prostitute created a scandal; according to Antonin Proust, only the precautions taken by the administration prevented the painting from being punctured and torn. The popular press caricatured it, while the avant-garde, including Courbet, Cézanne and Monet, championed it.

  4. 1867

    His own pavilion near the Pont de l'Alma

    In 1867, during the World's Fair in Paris, Manet set up his own pavilion near the Pont de l'Alma and showed fifty of his best works of the past ten years. Possibly this step led to his works being accepted at the next two Salons.

  5. 1868

    Friendship with Berthe Morisot

    In 1868 Manet became a friend and colleague of Berthe Morisot; she is credited with convincing him to attempt plein air painting, to which Camille Corot had introduced her. Through Morisot, Manet became friends with Degas, Monet, Renoir, Sisley, Cézanne and Pissarro.

  6. 1870

    The siege of Paris: Manet in the army

    During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.

Alle werken

Ook bij National Gallery of Art

Museumpagina

Over hetzelfde thema · Group

Alle werken over dit thema