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StartpaginaKaartCatalogus
  1. Collectie/
  2. Kunsthistorisches Museum/
  3. Adam
Adam, Tilman Riemenschneider, 1490-1507
Tilman Riemenschneider, portretTilman RiemenschneiderDuitsland, 1460–1531

Adam

1490-1507 · Sculpture

Mag men het zien?

Onbekend

Kunsthistorisches Museum

Wenen, Oostenrijk

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1490-1507
14601531

In de catalogus

BeeldhouwkunstRenaissance15e eeuw

Bronnen

  • Kunsthistorisches Museum
  • Afbeelding: Kunsthistorisches Museum — CC BY-NC-SA 4.0

Intussen, in het leven van Tilman Riemenschneider

Het hele leven
  1. 1490s

    Begins leaving the wood unpainted

    Before the 1490s almost every sculpture was polychromed and gilded, usually by a painter; Riemenschneider, one of the first sculptors (other accounts say the first) not to have all his figures painted, employs no painters in his workshop but works regularly with independent ones, such as Jakob Mülholzer (cooperation verifiable from 1490/91 to 1514/15) and Martin Schwarz.

  2. 1494

    His first wife dies

    Anna Schmidt dies, leaving Tilman with three stepsons and a daughter; other accounts place her death ten years after the wedding, around 1495.

  3. 1497

    Marries Anna Rappolt

    In 1497 he marries Anna Rappolt; they have two daughters and three sons, all of whom seem to have inherited their father’s artistic talent (other accounts speak of one daughter). The marriage lasts nine years.

  4. by 1500

    A wealthy citizen with a flourishing workshop

    By 1500 his reputation has brought wealth: he owns a number of houses in Würzburg and land with his own vineyards, and his workshop is estimated to have provided work for as many as 40 people.

  5. 1500

    Son born: Bartlmä Dill Riemenschneider

  6. November 1504

    Elected to the Würzburg town council

    He becomes a member of the sub-council (Unterrat) of the town, an office he holds until 1525 (other accounts say for about twenty years); it gives him social status and helps him obtain many large and profitable commissions.

Meer van Tilman Riemenschneider

Alle werken
Seated Bishop, Tilman Riemenschneider, ca. 1495

Seated Bishop

ca. 1495 · Metropolitan Museum of Art

La Vierge de l'Annonciation, Riemenschneider, Tilman, vers 1495

La Vierge de l'Annonciation

vers 1495 · Louvre

Saints Christopher, Eustace, and Erasmus (Three Helper Saints), Tilman Riemenschneider, ca. 1500–1505

Saints Christopher, Eustace, and Erasmus (Three Helper Saints)

ca. 1500–1505 · Metropolitan Museum of Art

Standing Bishop, Tilman Riemenschneider, ca. 1505

Standing Bishop

ca. 1505 · Metropolitan Museum of Art

A Bishop Saint (Burchard of Würzburg?), Tilman Riemenschneider, c. 1515/1520

A Bishop Saint (Burchard of Würzburg?)

c. 1515/1520 · National Gallery of Art

Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider, c. 1495

Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)

c. 1495 · Cleveland Museum of Art

Saint Lawrence, Tilman Riemenschneider, 1502–8

Saint Lawrence

1502–8 · Cleveland Museum of Art

Saint Stephen, Tilman Riemenschneider, 1502–8

Saint Stephen

1502–8 · Cleveland Museum of Art