Académie d'homme, Théodore Géricault, 1808-1812
Théodore Géricault, portretThéodore GéricaultFrankrijk, 1791–1824

Académie d'homme

1808-1812 · Painting · 81 × 65 cm

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Onbekend

Waar is „Académie d'homme” nu? Collectie: Musée des Beaux-Arts, Rouen. Onbekend.

Musée des Beaux-Arts

Rouen, Frankrijk

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Ongewijzigd sinds
Bron
Het museum
Insluiten

Gegevens

Inventarisnummer
1876.7.1

Wat het toont

In de catalogus

Bronnen

  • Musée des Beaux-Arts
  • Afbeelding: Musée des Beaux-Arts — musée de la ville de Rouen, Carole Loisel ; Catherine Lancien; Ministère de la Culture (France), base Joconde

In het leven van Théodore Géricault

Het hele leven
  1. late 1808

    Carle Vernet's studio: horses and the Cirque Franconi

    In late 1808 Géricault began training with Carle Vernet, a master of battle and genre scenes. He mostly practised drawing horses, saw engravings after English animal painters, visited the Cirque Franconi, riding schools and stud farms with his teacher, and it was here that his friendship with Vernet's son Horace began.

  2. 1810

    To Pierre Guérin: six months of irregular lessons

    In 1810 Géricault left Vernet's studio for the rigorous classicist Pierre Guérin, who disapproved of his student's impulsive temperament while recognizing his talent. He attended the studio irregularly for about six months, probably to work from the live model and meet the other pupils, and painted “Samson and Delilah”, “The Departure of Odysseus from Ithaca” and “The Defense of Thermopylae” at the time.

  3. 5 februari 1811 · Opleiding

    Beaux-Arts de Paris

  4. 1812

    Salon debut: “Officer of the Imperial Guard Chasseurs”

    In 1812 Géricault sent “Portrait of Dieudonné” (now “Officer of the Imperial Guard Chasseurs Charging”, Louvre) to the Paris Salon. An artist unknown until then, said to have “hardly studied”, he at once drew the critics' attention: Boutard advised him to take up battle painting, Durdent called him “perhaps the best of all our painters”, and David himself noticed the picture.

  5. 1814

    Salon of 1814: “Wounded Cuirassier” and cold reviews

    At the Salon of 1814, held after Napoleon's fall, the “Officer” was shown paired with “Wounded Cuirassier Leaving the Field of Battle”, the only reminder of a passing tragic and glorious era among the neutral subjects chosen by other artists. Critics either said nothing of Géricault's pictures or received them unfavorably.

  6. December 1814

    He buys a commission as a musketeer

    Having recently evaded military service, in December 1814 Géricault, with the help of his father and uncle, bought a commission in the musketeer company commanded by Lauriston, a privileged military unit. His biographers find it hard to explain what motivated him.

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Uit de collectie: Musée des Beaux-Arts

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