Willem de KooningVerenigde Staten, 1904–1997A Tree in Naples
Mag men het zien?
Ontvangt momenteel niet
Museum of Modern Art
New York, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Bron
- Het museum
Gegevens
- Inventarisnummer
- 622.1967
In de catalogus
Bronnen
- Museum of Modern Art
- Afbeelding: Museum of Modern Art — © the artist or rights holder
Intussen, in het leven van Willem de Kooning
Het hele leven1948–1966
Fourteen solo exhibitions
From 1948 to 1966 De Kooning had 14 solo exhibitions, many in New York but also nationally and internationally, among them the Egan Gallery, the Sidney Janis Gallery, the Martha Jackson Gallery, the Allan Stone Gallery and museums such as the Museum of Fine Arts, Boston and the Smith College Museum of Art. There were two a year in 1953, 1964 and 1965.
1950s
The path of “figurative abstractions”
In the 1950s De Kooning followed a path of primitivisation and developed so-called “figurative abstractions”: a solitary female figure, under furious, pasty “blow-like” brushstrokes, turns into a painterly totem open to radical Freudian readings.
late 1950s
From female figures to abstraction
In the late 1950s De Kooning’s work shifted away from the figurative images of women, though he returned to the subject on occasion, and began to show an interest in more abstract, less representational imagery.
11 juli 1959 – 11 oktober 1959
Exhibition: Documenta II
13 March 1962
Becomes a U.S. citizen
On 13 March 1962 De Kooning became a U.S. citizen.
