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"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96), William Blake, 1804 to 1820William Blake"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)1804 to 1820Yale Center for British Art
"Albion cold lays on his Rock..." (Plate 94), William Blake, 1804 to 1820William Blake"Albion cold lays on his Rock..." (Plate 94)1804 to 1820Yale Center for British Art
"They call'd her Pity, and fled..." (Plate 17), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 17)1794Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, ca. 1797William Blake'Behold him, when past by; what then is seen' (Page 25)ca. 1797Yale Center for British Art
"The Feminine separates from the Masculine..." (Plate 90), William Blake, 1804 to 1820William Blake"The Feminine separates from the Masculine..." (Plate 90)1804 to 1820Yale Center for British Art
"And One stood forth from the Divine Family..." (Plate 37), William Blake, 1804 to 1820William Blake"And One stood forth from the Divine Family..." (Plate 37)1804 to 1820Yale Center for British Art
"Repose on me till the morning of the Grave..." (Plate 62), William Blake, 1804 to 1820William Blake"Repose on me till the morning of the Grave..." (Plate 62)1804 to 1820Yale Center for British Art
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), William Blake, 1804 to 1820William Blake"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)1804 to 1820Yale Center for British Art
Spring (Plate 12), William Blake, 1789William BlakeSpring (Plate 12)1789Yale Center for British Art
IV. "None could have other than natural or organic thoughts..." (Plate 6), William Blake, ca. 1788William BlakeIV. "None could have other than natural or organic thoughts..." (Plate 6)ca. 1788Yale Center for British Art
Rev. John Caspar Lavater, William Blake, 1800William BlakeRev. John Caspar Lavater1800Yale Center for British Art
'Angels should paint it, angels ever there' (Page 40), William Blake, ca. 1797William Blake'Angels should paint it, angels ever there' (Page 40)ca. 1797Yale Center for British Art
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, ca. 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)ca. 1797Yale Center for British Art
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16), William Blake, 1804 to 1820William Blake"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)1804 to 1820Yale Center for British Art
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 13)1794Yale Center for British Art
"In Great Eternity every particular Form..." (Plate 54), William Blake, 1804 to 1820William Blake"In Great Eternity every particular Form..." (Plate 54)1804 to 1820Yale Center for British Art
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Yale Center for British Art
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale Center for British Art
Infant Joy (Plate 28), William Blake, 1789William BlakeInfant Joy (Plate 28)1789Yale Center for British Art
"Such are Cathedrons golden Halls..." (Plate 73), William Blake, 1804 to 1820William Blake"Such are Cathedrons golden Halls..." (Plate 73)1804 to 1820Yale Center for British Art
Earth's Answer (Plate 35), William Blake, 1794William BlakeEarth's Answer (Plate 35)1794Yale Center for British Art
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Yale Center for British Art
Fable XIII. The Tame Stag, William Blake, 1793William BlakeFable XIII. The Tame Stag1793Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, ca. 1797William Blake'Disease invades the chastest temperence' (Page 10)ca. 1797Yale Center for British Art
"To decide Two Worlds with a great decision..." (Plate 65), William Blake, 1804 to 1820William Blake"To decide Two Worlds with a great decision..." (Plate 65)1804 to 1820Yale Center for British Art
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Yale Center for British Art
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Yale Center for British Art
Night (Plate 30), William Blake, 1789William BlakeNight (Plate 30)1789Yale Center for British Art
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale Center for British Art
The Clod & the Pebble (Plate 36), William Blake, 1794William BlakeThe Clod & the Pebble (Plate 36)1794Yale Center for British Art
'But for the blessing wrestle not with heaven' (Page 88), William Blake, 1797William Blake'But for the blessing wrestle not with heaven' (Page 88)1797Yale Center for British Art
Urizen (Plate 22), William Blake, 1794William BlakeUrizen (Plate 22)1794Yale Center for British Art
Chapter V, "The globe of life blood trembled..." (Plate 15), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 15)1794Yale Center for British Art
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale Center for British Art
"These were his last words, and the merciful Saviour in his arms..." (Plate 48), William Blake, 1804 to 1820William Blake"These were his last words, and the merciful Saviour in his arms..." (Plate 48)1804 to 1820Yale Center for British Art
'Oft bursts my song beyond the bounds of life' (Page 16), William Blake, 1797William Blake'Oft bursts my song beyond the bounds of life' (Page 16)1797Yale Center for British Art
The Shepherd (Plate 4), William Blake, 1789William BlakeThe Shepherd (Plate 4)1789Yale Center for British Art
Chapter IV, "From the caverns of his jointed spine..." (Plate 10), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 10)1794Yale Center for British Art
'Time, in advance, behind him hides his wings' (Page 24), William Blake, 1797William Blake'Time, in advance, behind him hides his wings' (Page 24)1797Yale Center for British Art
"Bath who is Legions..." (Plate 41), William Blake, 1804 to 1820William Blake"Bath who is Legions..." (Plate 41)1804 to 1820Yale Center for British Art
I. "Man cannot naturally Percieve..."(Plate 3), William Blake, ca. 1788William BlakeI. "Man cannot naturally Percieve..."(Plate 3)ca. 1788Yale Center for British Art
"Of the Mundane Shell which froze..." (Plate 64), William Blake, 1804 to 1820William Blake"Of the Mundane Shell which froze..." (Plate 64)1804 to 1820Yale Center for British Art
"My tents are fall'n! my pillars are in ruins!..." (Plate 79), William Blake, 1804 to 1820William Blake"My tents are fall'n! my pillars are in ruins!..." (Plate 79)1804 to 1820Yale Center for British Art
"The banks of the Thames are clouded..." (Plate 5), William Blake, 1804 to 1820William Blake"The banks of the Thames are clouded..." (Plate 5)1804 to 1820Yale Center for British Art
"And formed into Four precious stones..." (Plate 59), William Blake, 1804 to 1820William Blake"And formed into Four precious stones..." (Plate 59)1804 to 1820Yale Center for British Art
Songs of Experience, Frontispiece (Plate 32), William Blake, 1794William BlakeSongs of Experience, Frontispiece (Plate 32)1794Yale Center for British Art
The Different Kinds of Wrestling, William Blake, 1800William BlakeThe Different Kinds of Wrestling1800Yale Center for British Art
"O Skofield why art thou cruel?..." (Plate 68), William Blake, 1804 to 1820William Blake"O Skofield why art thou cruel?..." (Plate 68)1804 to 1820Yale Center for British Art
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