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The First Book of Urizen, Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen, Title Page (Plate 1)1794Yale Center for British Art
"The Four Zoa's clouded rage..." (Plate 74), William Blake, 1804 to 1820William Blake"The Four Zoa's clouded rage..." (Plate 74)1804 to 1820Yale Center for British Art
"Then the Divine Vision like a silent Sun..." (Plate 29), William Blake, 1804 to 1820William Blake"Then the Divine Vision like a silent Sun..." (Plate 29)1804 to 1820Yale Center for British Art
A Cradle Song (Plate 18), William Blake, 1789William BlakeA Cradle Song (Plate 18)1789Yale Center for British Art
Spring (Plate 26), William Blake, 1789William BlakeSpring (Plate 26)1789Yale Center for British Art
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, ca. 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)ca. 1797Yale Center for British Art
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)1797Yale Center for British Art
Fable XII. Pan and Fortune, William Blake, 1793William BlakeFable XII. Pan and Fortune1793Yale Center for British Art
The Little Boy Lost (Plate 16), William Blake, 1789William BlakeThe Little Boy Lost (Plate 16)1789Yale Center for British Art
Los with the child Orc and Enitharmon (Plate 18), William Blake, 1794William BlakeLos with the child Orc and Enitharmon (Plate 18)1794Yale Center for British Art
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)1797Yale Center for British Art
"When those who disregard all Mortal Things..." (Plate 55), William Blake, 1804 to 1820William Blake"When those who disregard all Mortal Things..." (Plate 55)1804 to 1820Yale Center for British Art
A Little Boy Lost (Plate 43), William Blake, 1794William BlakeA Little Boy Lost (Plate 43)1794Yale Center for British Art
"The Traveller hasteth in the Evening" (Plate 16), William Blake, 1826William Blake"The Traveller hasteth in the Evening" (Plate 16)1826Yale Center for British Art
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26), William Blake, 1804 to 1820William Blake"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)1804 to 1820Yale Center for British Art
Nurses Song (Plate 37), William Blake, 1794William BlakeNurses Song (Plate 37)1794Yale Center for British Art
Holy Thursday (Plate 38), William Blake, 1794William BlakeHoly Thursday (Plate 38)1794Yale Center for British Art
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88), William Blake, 1804 to 1820William Blake"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)1804 to 1820Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)1797Yale Center for British Art
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq., William Blake, 1804William BlakeA View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.1804Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, ca. 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)ca. 1797Yale Center for British Art
"Elevate into the Region of Brotherhood..." (Plate 34), William Blake, 1804 to 1820William Blake"Elevate into the Region of Brotherhood..." (Plate 34)1804 to 1820Yale Center for British Art
'When faith is virtue, reason makes it so' (Page 92), William Blake, ca. 1797William Blake'When faith is virtue, reason makes it so' (Page 92)ca. 1797Yale Center for British Art
"Awake! Awake Jerusalem..." (Plate 97), William Blake, 1804 to 1820William Blake"Awake! Awake Jerusalem..." (Plate 97)1804 to 1820Yale Center for British Art
"Leaning against the pillars..." (Plate 32), William Blake, 1804 to 1820William Blake"Leaning against the pillars..." (Plate 32)1804 to 1820Yale Center for British Art
The Hermit's Dog, William Blake, 1805William BlakeThe Hermit's Dog1805Yale Center for British Art
Jerusalem, Tailpiece (Plate 100), William Blake, 1804 to 1820William BlakeJerusalem, Tailpiece (Plate 100)1804 to 1820Yale Center for British Art
"The secret coverts of Albion & the hidden places of America..." (Plate 49), William Blake, 1804 to 1820William Blake"The secret coverts of Albion & the hidden places of America..." (Plate 49)1804 to 1820Yale Center for British Art
A Little Girl Lost (Plate 44), William Blake, 1794William BlakeA Little Girl Lost (Plate 44)1794Yale Center for British Art
The Divine Image (Plate 12), William Blake, 1789William BlakeThe Divine Image (Plate 12)1789Yale Center for British Art
Chapter IX, "They lived a period of years..." (Plate 25), William Blake, 1794William BlakeChapter IX, "They lived a period of years..." (Plate 25)1794Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, ca. 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)ca. 1797Yale Center for British Art
Help! Help! (Plate 12), William Blake, 1793William BlakeHelp! Help! (Plate 12)1793Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, 1797William Blake'Behold him, when past by; what then is seen' (Page 25)1797Yale Center for British Art
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72), William Blake, 1804 to 1820William Blake"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)1804 to 1820Yale Center for British Art
Jerusalem, Frontispiece (Plate 1), William Blake, 1804 to 1820William BlakeJerusalem, Frontispiece (Plate 1)1804 to 1820Yale Center for British Art
"Then each an Arrow flaming from his Quiver..." (Plate 98), William Blake, 1804 to 1820William Blake"Then each an Arrow flaming from his Quiver..." (Plate 98)1804 to 1820Yale Center for British Art
The First Book of Urizen, William Blake, 1794William BlakeThe First Book of Urizen1794Yale Center for British Art
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Yale Center for British Art
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 11)1794Yale Center for British Art
'The longest night though longer far, would fail' (Page 15), William Blake, 1797William Blake'The longest night though longer far, would fail' (Page 15)1797Yale Center for British Art
'That touch, with charm celestial heals the soul' (Page 90), William Blake, ca. 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)ca. 1797Yale Center for British Art
"To the Public. After my three years slumber..." (Plate 3), William Blake, 1804 to 1820William Blake"To the Public. After my three years slumber..." (Plate 3)1804 to 1820Yale Center for British Art
There Is No Natural Religion; Frontispiece (Plate 1), William Blake, ca. 1788William BlakeThere Is No Natural Religion; Frontispiece (Plate 1)ca. 1788Yale Center for British Art
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20), William Blake, 1794William BlakeChapter VIII, "Of life on his forsaken mountains..." (Plate 20)1794Yale Center for British Art
The Tyger (Plate 42), William Blake, 1794William BlakeThe Tyger (Plate 42)1794Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)1797Yale Center for British Art
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)1797Yale Center for British Art
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