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작품 130,252점 미술관 146곳 소장현재 133점 전시 중모두 지우기

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Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona), Goya, 1799Francisco de GoyaPlate 4 from "Los Caprichos": Nanny's boy (El de la rollona)1799메트로폴리탄 미술관
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799 (published 1908–12)Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799 (published 1908–12)메트로폴리탄 미술관
General Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaGeneral Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro), Goya, 1799Francisco de GoyaPlate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)1799메트로폴리탄 미술관
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)1811–12 (published 1863)메트로폴리탄 미술관
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya, 1816Francisco de GoyaPlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring1816메트로폴리탄 미술관
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya, 1799Francisco de GoyaPlate 51 from "Los Caprichos": They spruce themselves up (Se repulen)1799메트로폴리탄 미술관
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)메트로폴리탄 미술관
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya, 1816Francisco de GoyaPlate 11 from "La Tauromaquia": The Cid campeador spearing another bull1816메트로폴리탄 미술관
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)ca. 1810 (published 1863)메트로폴리탄 미술관
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)1811–12 (published 1863)메트로폴리탄 미술관
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar), Goya, 1810–20, published 1863Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)1810–20, published 1863메트로폴리탄 미술관
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya, ca. 1815 (published 1863)Francisco de GoyaPlate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)ca. 1815 (published 1863)메트로폴리탄 미술관
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)ca. 1810 (published 1863)메트로폴리탄 미술관
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya, 1816Francisco de GoyaPlate 19 of "La Tauromaquia": Another madness of his in the same ring1816메트로폴리탄 미술관
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810 (published 1863)Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)메트로폴리탄 미술관
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)1814–15 (published 1863)메트로폴리탄 미술관
Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento), Goya, 1799Francisco de GoyaPlate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)1799메트로폴리탄 미술관
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)1810 (published 1863)메트로폴리탄 미술관
Plate 13 from "Los Caprichos": They are hot (Estan calientes), Goya, 1799Francisco de GoyaPlate 13 from "Los Caprichos": They are hot (Estan calientes)1799메트로폴리탄 미술관
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)1810 (published 1863)메트로폴리탄 미술관
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Goya, 1816Francisco de GoyaPlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body1816메트로폴리탄 미술관
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaRidiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)ca. 1810 (published 1863)메트로폴리탄 미술관
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)ca. 1815–19 (published before 1877)메트로폴리탄 미술관
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra), Goya, 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)1810 (published 1863)메트로폴리탄 미술관
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual), Goya, 1799Francisco de GoyaPlate 5 from "Los Caprichos": Two of a kind (Tal para qual)1799메트로폴리탄 미술관
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), Goya, 1810Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)1810메트로폴리탄 미술관
Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya, 1799Francisco de GoyaPlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)1799메트로폴리탄 미술관
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810메트로폴리탄 미술관
Cruel Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCruel Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas), Goya, 1810 (published 1863)Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)1810 (published 1863)메트로폴리탄 미술관
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDisorderly Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)1811–12 (published 1863)메트로폴리탄 미술관
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)1811–12 (published 1863)메트로폴리탄 미술관
Margaret of Austria on horseback, after Velázquez, Goya, 1778Francisco de GoyaMargaret of Austria on horseback, after Velázquez1778메트로폴리탄 미술관
Carnival Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCarnival Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)메트로폴리탄 미술관
Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso), Goya, 1799Francisco de GoyaPlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)1799메트로폴리탄 미술관
Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?), Goya, 1810 (published 1863)Francisco de GoyaPlate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)1810 (published 1863)메트로폴리탄 미술관
Baltasar Carlos on horseback, Goya, 1778Francisco de GoyaBaltasar Carlos on horseback1778메트로폴리탄 미술관
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya, 1816Francisco de GoyaPlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull1816메트로폴리탄 미술관
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya, 1799Francisco de GoyaA bad night (Mala noche), plate 36 from "Los Caprichos"1799메트로폴리탄 미술관
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)메트로폴리탄 미술관
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), Goya, 1810 (published 1863)Francisco de GoyaPlate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)1810 (published 1863)메트로폴리탄 미술관
Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto), Goya, 1810 (published 1863)Francisco de GoyaPlate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)1810 (published 1863)메트로폴리탄 미술관
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya, ca. 1815 (published after 1867)Francisco de Goya'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)ca. 1815 (published after 1867)메트로폴리탄 미술관
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya, 1800–1804 (published 1828–67)Francisco de Goya'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)메트로폴리탄 미술관
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