ART WIKI37,788 전시 중
지도소장품작가미술관전시저널
로그인

ART WIKI

작품을 볼 수 있는 곳과 관람 시간.

소장처: 게티 빌라, 국립 초상화 미술관, 국립미술관, 내셔널 갤러리 오브 아트, 뉴욕 근대미술관, 러시아 미술관, 루브르 박물관, 메트로폴리탄 미술관, 미니애폴리스 미술관, 빅토리아 앨버트 박물관, 스미스소니언 미술관, 시카고 미술관, 암스테르담 국립미술관, 에르미타시 박물관, 예일 대학교 미술관, 쿠퍼 휴이트 스미스소니언 디자인 박물관, 클리블랜드 미술관, 트레티야코프 미술관, 푸시킨 미술관, 하버드 미술관, 허시혼 미술관과 조각 정원, 휘트니 미술관, J. 폴 게티 미술관, National Museum of Asian Art, Yale Center for British Art, 러시아 박물관 기금 국가 목록 (미술관 274곳), 유로피아나 (미술관 19곳), 위키데이터 (미술관 44곳), 파리 뮈제 (미술관 12곳), 프랑스 문화부 박물관 데이터베이스 조콩드 (미술관 495곳) 및 이탈리아 문화부 문화유산 종합 목록 (미술관 25곳). 이미지의 권리는 각 권리자에게 있습니다.

메뉴

  • 지도
  • 검색
  • 소장품
  • 주요 작품
  • 도난·유실 작품
  • 작품 전시 정보 퍼가기
  • 현재 전시 중
  • 작가

더 보기

  • 미술관과 갤러리
  • 전시
  • 저널
  • 데이터 출처
  • 개인정보 및 쿠키
  • 소개
  • 이용약관
홈지도둘러보기

둘러보기

드로잉과 수채화

작품 506,509점 미술관 314곳 소장현재 703점 전시 중지우기

/
기법
  • 전체
  • 흑연137,439
  • 펜과 잉크60,822
  • 수채화58,381
  • 잉크51,491
  • 초크39,881
  • 과슈9,482
  • 목탄8,850
  • 파스텔4,205
  • 유화2,434
  • 은필430
  • 혼합 재료297
The Last Judgment, William Blake, c. 1809William BlakeThe Last Judgmentc. 1809내셔널 갤러리 오브 아트
The Descent of Peace [recto], William Blake, c. 1815William BlakeThe Descent of Peace [recto]c. 1815내셔널 갤러리 오브 아트
Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake, c. 1780/1785William BlakeSketch of a Swordsman Standing Over His Defeated Opponent [verso]c. 1780/1785내셔널 갤러리 오브 아트
A Figure Ascending in a Glory of Clouds (?), William Blake, probably c. 1805William BlakeA Figure Ascending in a Glory of Clouds (?)probably c. 1805내셔널 갤러리 오브 아트
Queen Katherine's Dream, William Blake, c. 1825William BlakeQueen Katherine's Dreamc. 1825내셔널 갤러리 오브 아트
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5), William Blake, 1793William BlakeA Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)1793Yale Center for British Art
The Bard Singing Owen's Praise (Design 89), William Blake, between 1797 and 1798William BlakeThe Bard Singing Owen's Praise (Design 89)between 1797 and 1798Yale Center for British Art
The First Book of Urizen; Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen; Title Page (Plate 1)1794Yale Center for British Art
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25), William Blake, between 1797 and 1798William Blake"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)between 1797 and 1798Yale Center for British Art
Elizabeth. "Girt with many a Baron bold..." (Design 63), William Blake, between 1797 and 1798William BlakeElizabeth. "Girt with many a Baron bold..." (Design 63)between 1797 and 1798Yale Center for British Art
"Albion thy fear has made me tremble..." (Plate 22), William Blake, 1804 to 1820William Blake"Albion thy fear has made me tremble..." (Plate 22)1804 to 1820Yale Center for British Art
"From every-one of the Four Regions..." (Plate 18), William Blake, 1804 to 1820William Blake"From every-one of the Four Regions..." (Plate 18)1804 to 1820Yale Center for British Art
Sketch for the Title-Page of the Engraved Illustrations to the Book of Job, William Blake, c. 1823/1826William BlakeSketch for the Title-Page of the Engraved Illustrations to the Book of Jobc. 1823/1826내셔널 갤러리 오브 아트
Two Legs, William Blake, probably 1805/1810William BlakeTwo Legsprobably 1805/1810내셔널 갤러리 오브 아트
"And Saul Said unto David, Go, and the Lord be with Thee" [recto], William Blake, c. 1780/1785William Blake"And Saul Said unto David, Go, and the Lord be with Thee" [recto]c. 1780/1785내셔널 갤러리 오브 아트
Saint Augustine Converting King Ethelbert of Kent, William Blake, probably c. 1793William BlakeSaint Augustine Converting King Ethelbert of Kentprobably c. 1793내셔널 갤러리 오브 아트
Wat Tyler's Daughter, William Blake, c. 1819William BlakeWat Tyler's Daughterc. 1819내셔널 갤러리 오브 아트
"Appear to the Americans upon the cloudy night..." (Plate 6), William Blake, 1793William Blake"Appear to the Americans upon the cloudy night..." (Plate 6)1793Yale Center for British Art
A Long Story; Title Page, William Blake, between 1797 and 1798William BlakeA Long Story; Title Pagebetween 1797 and 1798Yale Center for British Art
Sealing the Stone and Setting a Watch, William Blake, 1800 to 1803William BlakeSealing the Stone and Setting a Watch1800 to 1803Yale Center for British Art
America, A Prophecy; Title Page (Plate 2), William Blake, 1793William BlakeAmerica, A Prophecy; Title Page (Plate 2)1793Yale Center for British Art
"Him the dog of darkness spied..." (Design 79), William Blake, between 1797 and 1798William Blake"Him the dog of darkness spied..." (Design 79)between 1797 and 1798Yale Center for British Art
"In thoughts perturb'd they rose..." (Plate 11), William Blake, 1794William Blake"In thoughts perturb'd they rose..." (Plate 11)1794Yale Center for British Art
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3), William Blake, 1794William BlakePreludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)1794Yale Center for British Art
The Descent of the Angels to One of the Daughters of Men, William Blake, c. 1824/1827William BlakeThe Descent of the Angels to One of the Daughters of Menc. 1824/1827내셔널 갤러리 오브 아트
Group of Men Seated in a Circle [recto], William Blake, c. 1780/1785William BlakeGroup of Men Seated in a Circle [recto]c. 1780/1785내셔널 갤러리 오브 아트
The Great Red Dragon and the Woman Clothed with the Sun, William Blake, c. 1805William BlakeThe Great Red Dragon and the Woman Clothed with the Sunc. 1805내셔널 갤러리 오브 아트
The Daughter of Men Becomes a Siren, William Blake, c. 1824/1827William BlakeThe Daughter of Men Becomes a Sirenc. 1824/1827내셔널 갤러리 오브 아트
King Canute, William Blake, c. 1819/1820William BlakeKing Canutec. 1819/1820내셔널 갤러리 오브 아트
The Bard, A Pindaric Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Bard, A Pindaric Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Yale Center for British Art
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8), William Blake, 1793William Blake"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)1793Yale Center for British Art
"Hurry, hurry, to the field!" Design 75), William Blake, between 1797 and 1798William Blake"Hurry, hurry, to the field!" Design 75)between 1797 and 1798Yale Center for British Art
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5), William Blake, 1794William BlakeChapter I, "Lo, a shadow of horror is risen..." (Plate 5)1794Yale Center for British Art
Ode on a Distant Prospect of Eton College; Title Page, William Blake, between 1797 and 1798William BlakeOde on a Distant Prospect of Eton College; Title Pagebetween 1797 and 1798Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)1794Yale Center for British Art
Lady Torrens and Family, William Blake after John Linnell, c. 1825William BlakeLady Torrens and Familyc. 1825내셔널 갤러리 오브 아트
A Crouching Figure Holding a Shield [verso], William Blake, probably c. 1793William BlakeA Crouching Figure Holding a Shield [verso]probably c. 1793내셔널 갤러리 오브 아트
The Belvedere Torso [verso], William Blake, probably c. 1779/1780William BlakeThe Belvedere Torso [verso]probably c. 1779/1780내셔널 갤러리 오브 아트
Queen Katherine's Dream [recto], William Blake after Henry Fuseli, c. 1804William BlakeQueen Katherine's Dream [recto]c. 1804내셔널 갤러리 오브 아트
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4), William Blake, 1794William Blake"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)1794Yale Center for British Art
Thomas Alphonso Hayley, Half-Length Drawing, William Blake, ca. 1800William BlakeThomas Alphonso Hayley, Half-Length Drawingca. 1800Yale Center for British Art
"The red limb'd Angel siez'd in horror and torment..." (Plate 15), William Blake, 1794William Blake"The red limb'd Angel siez'd in horror and torment..." (Plate 15)1794Yale Center for British Art
"Los howld in a dismal stupor..." (Plate 10), William Blake, 1794William Blake"Los howld in a dismal stupor..." (Plate 10)1794Yale Center for British Art
Satan Approaching the Court of Chaos, William Blake, 1784 to 1785William BlakeSatan Approaching the Court of Chaos1784 to 1785Yale Center for British Art
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33), William Blake, between 1797 and 1798William Blake"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)between 1797 and 1798Yale Center for British Art
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale Center for British Art
The Bard Weaving Edwards Fate (Design 55), William Blake, between 1797 and 1798William BlakeThe Bard Weaving Edwards Fate (Design 55)between 1797 and 1798Yale Center for British Art
32