Jean-Antoine Watteau프랑스, 1684–1721Zittende dame gekleed volgens de mode van ca. 1710
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〈Zittende dame gekleed volgens de mode van ca. 1710〉는 지금 어디에 있나요? 소장처: 암스테르담 국립미술관, 암스테르담. 확인되지 않았습니다.
암스테르담, 네덜란드
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작품 소개
미술관 설명: 네덜란드어
Zittende dame, leunend tegen een stenen sokkel met daarop een ornamentele vaas. Van voren gezien, een dichte waaier in de linkerhand. Gekleed volgens de Franse mode van ca. 1710. Uit een serie van acht prenten met figuren in verschillende kostuums.
암스테르담 국립미술관
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Jean-Antoine Watteau의 생애 속 이 작품
생애 전체 보기c. 1707 – 1708
Leaves Gillot for Claude Audran
Watteau, whose touchy and difficult temperament is already showing, leaves Gillot and becomes a pupil and assistant to the noted decorator Claude Audran, curator of the art collection of the Luxembourg Palace. He never went through an academic training, but under Audran he composes scenes for wall paintings and absorbs the principles of refined ornament.
c. 1708 – 1709
The Luxembourg Palace as a school: Rubens and Poussin
Working for Audran, Watteau can study the collections of the Luxembourg Palace without restriction; the palace serves as a store for paintings, tapestries and furniture, and for him it is in effect a museum. At its heart is Rubens's cycle of 24 canvases, “The Life of Marie de’ Medici”; he also sees Poussin's mythological landscapes there.
31 August 1709
Second place in the Prix de Rome competition
In summer 1709 Watteau and four other competitors paint the set subject of David's return after his victory over Goliath. On 31 August the result is announced: he does not win the first prize and the long stay in Rome that goes with it — his picture comes second; taking the defeat hard, the 24-year-old leaves Audran and goes back to Valenciennes.
30 July 1712
Admitted to the Academy as an associate
Watteau seeks admission to the Royal Academy of Painting and Sculpture. According to Gersaint, the academician Charles de La Fosse, having seen his work, urges him to apply and helps to get him accepted among the Academy's associate members.
28 August 1717
Elected to the Academy: a “fête galante”
By 1717 Watteau's “gallant scenes” have had such wide success that an exception is made for his reception piece, “Pilgrimage to Cythera”: in the minutes the words “pilgrimage to Cythera” are struck out and replaced by “fête galante”. Watteau is elected a full member of the Academy; the ceremony is attended by the First Painter to the King, Antoine Coypel, by Claude Gillot and by the Regent, the Duke of Orléans.
1721년 7월 18일
Died
