László Moholy-Nagy미국, 1895–1946Untitled
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An artist who worked in many media, László Moholy-Nagy was hired to lead Chicago’s New Bauhaus, a school based on Bauhaus principles, in 1937. Photography was only one part of a curriculum that integrated art, industry, and society, but it was a key element; as Moholy wrote, “The illiterate of the future will be ignorant of the camera and the pen alike.” Central to his understanding of photography was the photogram, an image made by placing objects or casting shadows directly on photographic paper and exposing the arrangement to light. To Moholy, the photogram was the perfect teaching tool because it demonstrated the medium’s complete tonal range and revealed photography’s essence to be its sensitivity to light. This image, dedicated to George Barford, another instructor at the school, may have been a collaborative effort in the darkroom or a teaching example for the classroom.
시카고 미술관CC BY 4.0
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- 1968.264
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László Moholy-Nagy의 생애 속 이 작품
생애 전체 보기1937–1946 · 거주
Chicago
1939
The New Bauhaus closes; the School of Design opens
By 1938 the New Bauhaus had closed for financial reasons, but with Paepcke's continued support Moholy-Nagy kept the programme going, reopening it in February 1939 as the School of Design in Chicago, which he led for the rest of his life. After the closure he also returned to commercial design, which he pursued until his death, serving as art adviser to the Spiegel mail-order house.
1940
School of Design summer session in Oakland
The School of Design's summer session was held at Mills College in Oakland, California.
1942
Summer course in Denton, Texas
Moholy-Nagy taught a summer course at the Women's Teachers College in Denton, Texas.
