Frank Stella미국, 1936–2024Untitled
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〈Untitled〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 9일.
워싱턴 D.C., 미국
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- 2015.19.2763
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출처
- 내셔널 갤러리 오브 아트
- 이미지: 내셔널 갤러리 오브 아트 — © the artist or rights holder
Frank Stella의 생애 속 이 작품
생애 전체 보기1970s
Introduces relief: “maximalist” painting
He brings relief into his work and calls such painting “maximalist” for its sculptural qualities; in the Eccentric Polygon series the shaped canvases take on still less regular forms and collage elements appear, such as pieces of canvas glued to plywood, and aluminum then becomes the main support of his paintings.
1970s
Moves to NoHo in Manhattan
In the 1970s he moves to the NoHo neighborhood of Manhattan.
mid-1970s
Abandons rational structures
In the mid-1970s Stella abandons rational structures and explores new, individualistic paths: solid planes give way to squiggles, lattices and swirls of color, composite elements project from his canvases in all directions, and his wall-mounted paintings evolve into outlandish sculptures. Through the 1970s and 1980s his minimalism becomes baroque.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
