Anthony van Dyck플란데런, 1599–1641Titiaan en zijn maitresse
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〈Titiaan en zijn maitresse〉는 지금 어디에 있나요? 소장처: 암스테르담 국립미술관, 암스테르담. 오늘 전시 중인지는 확인되지 않았습니다.
암스테르담, 네덜란드
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- 미술관
작품 소개
미술관 설명: 네덜란드어
Kopie naar zelfportret van Titiaan met een jonge vrouw. Rechtsonder een doodshoofd. het schilderij van titiaan is verloren gegaan, door de ets van Van Dyck weten we hoe het portret er uitzag. Onder het portret staat een dedicatie aan de handelaar en kunstliefhebber Lucas van Uffel en een Italiaans gedicht.
암스테르담 국립미술관
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- RP-P-BI-7440
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- 암스테르담 국립미술관
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Anthony van Dyck의 생애 속 이 작품
생애 전체 보기1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1627
Return to Antwerp
In 1627 Van Dyck returned from Italy to Antwerp, where he remained for five years, creating portraits of the Flemish nobility and large altarpieces, and beginning to work in printmaking.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
1640년 2월 27일
Married: Mary Ruthven
1641년 12월 9일
Died
