
Edgar Degas프랑스, 1834–1917The Fireside
볼 수 있나요?
현재 전시하지 않습니다
〈The Fireside〉는 지금 어디에 있나요? 소장처: 메트로폴리탄 미술관, 뉴욕. 현재 전시하지 않습니다. 확인일 2026년 11월 11일.
뉴욕, 미국
소장품이지만 현재 전시하지 않습니다.
- 확인일
- 이 상태가 시작된 날짜
- 출처
- 미술관
상세 정보
- 소장품 번호
- 68.670
그림에 담긴 것
목록에 등록됨
출처
- 메트로폴리탄 미술관
- 이미지: 메트로폴리탄 미술관 — Open Access (CC0)
Edgar Degas의 생애 속 이 작품
생애 전체 보기1870s
From “de Gas” back to plain “Degas”
The archives disproved the legend of an ancient noble line: the artist's paternal ancestors were bakers, and the name “de Gas” was invented by his father, who commissioned a false genealogy. In the 1870s Edgar returned to the plain spelling, Degas.
1873–1874
His brother's debts: he sells his house and collection
After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.
1874
The first Impressionist exhibition
Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.
13 February 1874
Goncourt notes Degas's laundresses and dancers
Edmond de Goncourt wrote in his diary that Degas had chosen laundresses and dancers as his chief modern subjects, finding in their fabrics an occasion for light and delicate tones. After visiting the studio he called Degas the man who best caught the soul of modern life.
1877
Friendship with Mary Cassatt
Degas invited Mary Cassatt to show in the third Impressionist exhibition, having admired her portrait “Ida” at the Salon of 1874. He introduced her to pastel and engraving, while she helped him sell paintings and promoted his reputation in the United States.
autumn 1879 – April 1880
The prints journal: Degas abruptly withdraws
In the autumn and winter of 1879–1880 Degas and Cassatt worked closely together on a prints journal; he owned a small printing press. In April 1880 Degas abruptly withdrew, and without his support the project folded.

















