Alexander Calder미국, 1898–1976The Circus
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〈The Circus〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.
워싱턴 D.C., 미국
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- 내셔널 갤러리 오브 아트
- 이미지: 내셔널 갤러리 오브 아트 — © the artist or rights holder
Alexander Calder의 생애 속 이 작품
생애 전체 보기1930
In Mondrian’s studio: the shock of abstraction
A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.
1931
A show of abstract constructions at Galerie Percier
Calder’s first exhibition of abstract constructions is held in 1931 at Galerie Percier; Fernand Léger writes the preface to the catalogue.
1931
Joins Abstraction-Création
In 1931 Calder joins the non-figurative group Abstraction-Création; in 1933 he exhibits with it in Paris.
1933
Back in America: a farmhouse in Roxbury
In 1933 Calder and Louisa return to America, to a farmhouse they have bought in Roxbury, Connecticut, where they will raise a family.
1934
MoMA buys its first Calder for $60
The Museum of Modern Art buys its first Calder for $60, after talking him down from $100; the museum has championed him since the early 1930s.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
![Woman Sitting in a Garden [verso], Pablo Picasso, 1901](https://api.nga.gov/iiif/e3303575-2911-4b5b-9f77-140cb915922d/full/!2400,2400/0/default.jpg)
