The Abduction of Proserpine, Alessandro Allori, 1570
Alessandro Allori의 초상Alessandro Allori이탈리아, 1535–1607

The Abduction of Proserpine

1570 · Painting · 228.6 × 348 cm

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〈The Abduction of Proserpine〉는 지금 어디에 있나요? 소장처: J. 폴 게티 미술관, 로스앤젤레스. 현재 전시하지 않습니다. 확인일 2026년 10월 7일.

J. 폴 게티 미술관

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그림 소개

Pluto seizes Ceres's daughter beside a chariot with black horses in Alessandro Allori's The Abduction of Proserpine (1570), in the J. Paul Getty Museum, Los Angeles. Ovid's account makes her yearly absence in the underworld bring winter, with her return restoring spring and summer. Muscular figures recall Michelangelo, while twisting poses and saturated colors reflect Allori's teacher and adoptive father Bronzino. The large wooden panel belonged to three mythological scenes made in 1570–1572 for Alamanno Salviati's villa near Florence. Its companions depicted Aeneas with Anchises, and Narcissus.

미술관의 설명

Pluto, god of the Underworld, seizes Proserpine, daughter of Roman goddess of agriculture and fertility, Ceres, and prepares to return with her to his kingdom on a chariot drawn by black horses. According to Ovid's *Metamorphoses*, Proserpine was forced to live in the underworld for four months of every year; her departure from earth marked the advent of winter, and her return brought about spring and summer. The muscular, marble-like figures illustrate the influence of Michelangelo (1475–1564) on the younger Florentine artist, while their complex, twisted poses and bright, saturated colors reflect that of his adoptive father and master, Bronzino (1503–1572). Painted on a large wood panel, this work was conceived as part of a series of three monumental mythological scenes painted between 1570 and 1572 as decoration for Alamanno Salviati’s villa at Ponte alla Badia near Florence. The accompanying scenes, depicting *Aeneas* and *Anchises and Narcissus*, are today located in the residence of the Turkish Ambassador, Washington, D.C.

J. 폴 게티 미술관

상세 정보

소장품 번호
73.PB.73

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