Sunapee

1960s

Travels in the Middle East

He visits circular-plan cities in the Middle East and is especially intrigued by the arches and decorative patterns he sees in the architecture and art of Iran; these cities will later give their names to works of the Protractor series.

1968년 6월 27일 – 1968년 10월 6일

Exhibition: 4. documenta

1970

Retrospective at the Museum of Modern Art

The Museum of Modern Art in New York presents a retrospective of Stella's work, making him the youngest artist to receive one.

1970

Boycott of the American Pavilion in Venice

Invited to the 35th Venice Biennale, Stella joins a boycott by artists opposed to the US wars in Vietnam and Cambodia and withdraws his works from display at the American Pavilion.

1970s

Introduces relief: “maximalist” painting

He brings relief into his work and calls such painting “maximalist” for its sculptural qualities; in the Eccentric Polygon series the shaped canvases take on still less regular forms and collage elements appear, such as pieces of canvas glued to plywood, and aluminum then becomes the main support of his paintings.

mid-1970s

Abandons rational structures

In the mid-1970s Stella abandons rational structures and explores new, individualistic paths: solid planes give way to squiggles, lattices and swirls of color, composite elements project from his canvases in all directions, and his wall-mounted paintings evolve into outlandish sculptures. Through the 1970s and 1980s his minimalism becomes baroque.