Springtime, Auguste Rodin, c. 1878
Auguste Rodin의 초상Auguste Rodin프랑스, 1840–1917

Springtime

c. 1878 · Print

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〈Springtime〉는 지금 어디에 있나요? 소장처: 시카고 미술관, 시카고. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.

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1945.227

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Auguste Rodin의 생애 속 이 작품

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  1. 1875–1876

    Italy: Michelangelo, Donatello and Reims

    Having saved some money, Rodin travelled to Italy — Genoa, Florence, Rome, Naples and Venice — to study the Renaissance, above all Michelangelo and Donatello. On the way, at Reims, he first saw a Gothic cathedral, and the shock stayed with him for life.

  2. 1877

    Back in Paris after six years in Belgium

    Rodin and Rose settled in a small flat on the Left Bank; his mother was dead and his father blind and senile. Rodin's father and his eleven-year-old son Auguste, whom he had essentially abandoned for six years, moved in with the couple, and Rose looked after them.

  3. 1877–1878

    Accused of casting “The Age of Bronze” from life

    The figure looked so lifelike that Rodin was accused of casting it from a live model. He wrote to the newspapers, produced photographs of the model and demanded an inquiry, and a committee of sculptors cleared him; later many of his works were deliberately made larger or smaller than life.

  4. 1880

    Receives the commission for “The Gates of Hell”

    His first state commission was a sculptural portal for a planned Museum of Decorative Arts; with it Rodin received two studios on the Rue de l'Université. The museum was never built and “The Gates of Hell” remained unfinished: they were first cast in bronze after the master's death.

  5. 1880

    The 1880 Salon: third prize

    Rodin showed “St. John the Baptist”, which won third prize. In the same Salon “The Age of Bronze” was exhibited a second time, now cast in bronze.

  6. c. 1880 – 1881

    Juliette Adam's salon and first recognition

    Rodin was received at the salon of the writer Juliette Adam, where he was presented to Gambetta; Gambetta recommended him to Antonin Proust, the minister of fine arts, who bought “St. John the Baptist” for the state. It was the first recognition to reach a sculptor who was already forty.

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