Schwarzer Fleck

1912 · Print

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〈Schwarzer Fleck〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 9일.

내셔널 갤러리 오브 아트

워싱턴 D.C., 미국

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이 상태가 시작된 날짜: 2026년 8월 19일
출처: 미술관

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작품 소개

A dark, irregular shape occupies the centre of Schwarzer Fleck, Wassily Kandinsky’s woodcut of 1912 in the National Gallery of Art, Washington. Fine curved lines cross around it, with white paper separating the heavier black forms. The sheet is almost square, measuring 23.9 × 23.7 cm. A letter K appears at the lower left. Evelyn Stefansson Nef gave the impression in 2004.

상세 정보

소장품 번호: 2004.55.2

그림에 담긴 것

Non-representational

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내셔널 갤러리 오브 아트
이미지: 내셔널 갤러리 오브 아트 — © the artist or rights holder

Vasily Kandinsky의 생애 속 이 작품

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1910
London: the Allied Artists' Exhibition
Kandinsky took part in Frank Rutter's Allied Artists' Exhibition at the Royal Albert Hall in London; the artist Spencer Frederick Gore singled out his work for praise in a review in The Art News.
1910–1911
The treatise “Concerning the Spiritual in Art”
The treatise defended and promoted abstract art and affirmed that all forms of art are equally capable of reaching spirituality; colour in a painting can be autonomous, apart from the depiction of an object. Kandinsky distinguished three kinds of painting: impressions, improvisations and compositions.
1910–1912
The Izdebsky Salons and the Knave of Diamonds
With the Neue Künstlervereinigung Kandinsky took part in two international Izdebsky Salons in Russian cities, from December 1910 to May 1911; in 1910 and 1912 he also exhibited with the Knave of Diamonds.
1911
The birth of the Blue Rider
After the earlier association dissolved Kandinsky formed the Blue Rider with August Macke, Franz Marc, Albert Bloch and Gabriele Münter. The group issued an almanac and held two exhibitions; the war ended further plans.
1911
His first solo exhibition
His first solo exhibition took place in the same years, when the Blue Rider was being born.
1914
The war: back to Russia via Switzerland and Sweden
The outbreak of World War I ended the Blue Rider's plans for further almanacs and exhibitions and sent Kandinsky back to Russia via Switzerland and Sweden; he returned to Moscow in 1914.