Saint Eustace, Elisabetta Sirani, 1655
Elisabetta Sirani의 초상Elisabetta Sirani이탈리아, 1638–1665

Saint Eustace

1655 · Print · 25 × 18.5 cm

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작품 소개

St. Eustace in a landscape, kneeling before a stag with a crucifix between its antlers. His dog is in the center background.

쿠퍼 휴이트 스미스소니언 디자인 박물관

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소장품 번호
1931-94-233

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Elisabetta Sirani의 생애 속 이 작품

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  1. by 1654

    Takes over the family workshop

    By 1654 her father is incapacitated by gout and can no longer work, and Elisabetta takes over the running of the workshop: she becomes the family’s main breadwinner, living on teaching fees and portrait commissions. The studio thrives, helped by the progressive atmosphere of Bologna, where women artists were accepted and celebrated; her sisters Barbara and Anna Maria serve as her assistants.

  2. 1655

    Begins a notebook of her works

    By seventeen she is an accomplished painter and printmaker; from 1655 she meticulously records all her paintings and their patrons in a notebook, and these records found their way into Malvasia’s biography. Many of her paintings are signed, which was uncommon among her male counterparts — perhaps so that they would not be confused with her father’s.

  3. 28 February 1657

    First major public commission

    At nineteen she receives her first major public commission, from Daniele Granchi, prior of the Carthusian church of the Certosa di Bologna; she will go on to paint at least thirteen public altarpieces.

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쿠퍼 휴이트 스미스소니언 디자인 박물관 소장품

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