Saddled Horse with a Study of a Rider

c. 1860s · Drawing

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〈Saddled Horse with a Study of a Rider〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.

내셔널 갤러리 오브 아트

워싱턴 D.C., 미국

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확인일: 3일 전
이 상태가 시작된 날짜: 2026년 8월 19일
출처: 미술관

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소장품 번호: 2019.45.10

그림에 담긴 것

Equestrian Horse Man

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드로잉과 수채화 흑연 사실주의 인상주의 19세기 Impressionism

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내셔널 갤러리 오브 아트
이미지: 내셔널 갤러리 오브 아트 — Museum open access

Edgar Degas의 생애 속 이 작품

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July 1856 – 1859
Three years in Italy
In July 1856 Degas left for Italy, where he stayed for three years. He copied Michelangelo, Raphael and Titian but, contrary to convention, usually picked out of an altarpiece a detail that caught his eye — a secondary figure or a head that he treated as a portrait.
1862–1864
Meets Édouard Manet
Manet introduced Degas to the circle of future Impressionists. Degas shared their rejection of the academic Salon but would not work in the open air.
1865
Debut at the Salon of 1865
The jury accepted “Scene of War in the Middle Ages”, Degas's first picture in the Salon, which attracted little attention. For the next five years he exhibited annually but sent no more history paintings.
late 1860s
The turn to modern life: racecourses, milliners, laundresses
By the late 1860s Degas had moved from history painting to an original observation of contemporary life: racecourse scenes let him paint horses and riders in a modern setting, and then he turned to women at work — milliners and laundresses.
1870
A volunteer in the war; a flaw in his eyesight
When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.
early 1870s
Meets Durand-Ruel
Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.