Odilon Redon프랑스, 1840–1916Ruitergevecht
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〈Ruitergevecht〉는 지금 어디에 있나요? 소장처: 암스테르담 국립미술관, 암스테르담. 오늘 전시 중인지는 확인되지 않았습니다.
암스테르담, 네덜란드
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- 출처
- 미술관
작품 소개
미술관 설명: 네덜란드어
Een gevecht tussen twee mannen te paard in een rotsachtig landschap.
암스테르담 국립미술관
상세 정보
- 소장품 번호
- RP-P-1953-622
그림에 담긴 것
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출처
- 암스테르담 국립미술관
- 이미지: 암스테르담 국립미술관 — public domain
Odilon Redon의 생애 속 이 작품
생애 전체 보기1863
Meets Rodolphe Bresdin
His elder brother introduced Redon to a circle of young intellectuals, where in 1863 he met the proto-Symbolist engraver Rodolphe Bresdin. Deeply affected by Bresdin’s work, Redon resolved to become a graphic artist.
1864
Discovers Millet, Corot and Moreau in Paris
From 1864 Redon studied at the École des Beaux-Arts in Paris under Jean-Léon Gérôme and learned lithography from Henri Fantin-Latour. The paintings of Jean-François Millet, Camille Corot and Gustave Moreau stunned him.
c. 1864 – 1870
Sculpture and lessons with Bresdin in Bordeaux
Back in his native Bordeaux, Redon took up sculpting, and Rodolphe Bresdin instructed him in etching and lithography.
1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
![[Christus und die Samariterin; Christ and the Woman of Samaria. An Arched Print; La Samaritaine], Rembrandt, 1657](https://diglib.hab.de/varia/haum/rembrandt-v3-4560/max/000001.jpg)
![[Die kleine Löwenjagd mit zwei Löwen; The Small Lion Hunt with Two Lions; Chasse aux lions], Rembrandt, 1629](https://diglib.hab.de/varia/haum/rembrandt-v3-4599/max/000001.jpg)
