Relief, Alessandro Algardi, 17th century
Alessandro Algardi의 초상Alessandro Algardi이탈리아, 1595–1654

Relief

17th century · Relief · 53.3 × 44.5 cm

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〈Relief〉는 지금 어디에 있나요? 소장처: 빅토리아 앨버트 박물관, 런던. 현재 전시하지 않습니다. 확인일 2026년 9월 25일.

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조각 소개

This gilded terracotta relief was probably made by Alessandro Algardi in the 17th century Rome, Italy. This relief represents Christ entering the rocky mouth of Hell from the left and holds a flag in his left hand. Before him kneel Adam and Eve, King David with a harp, and a bearded man. All these figures are modelled partly in the round. In the background, in low relief, are a bishop and other figures. In a black moulded wood frame of later date.

빅토리아 앨버트 박물관

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소장품 번호
A.83-1918

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Alessandro Algardi의 생애 속 이 작품

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  1. 1622 · 작업 장소

    Mantua

  2. 1625

    Moves to Rome with the Duke of Mantua's introduction

    After a short stay in Venice he goes to Rome with an introduction from the Duke of Mantua to Cardinal Ludovico Ludovisi, nephew of the late pope, who employs him for a time to restore ancient statues from his famous collection.

  3. 1625–1654 · 작업 장소

    Rome

  4. 1644

    Innocent X draws him to the papal court

    With the death of the Barberini pope Urban VIII and the accession of the Pamphilj pope Innocent X, the Barberini fall into disfavor and Bernini receives fewer commissions; Algardi, by contrast, is embraced by the new pope and the pope's nephew Camillo Pamphilj. His portraits are highly prized, their formal severity contrasting with Bernini's vivacity, and his large bronze of Innocent X is now in the Capitoline Museums.

  5. 1650

    Meets Velázquez; commissions from Spain

    He meets Diego Velázquez, who obtains commissions for his work from Spain: four chimney-pieces and the figures of the fountain of Neptune in the gardens of the Royal Palace of Aranjuez, and the tomb of the Count and Countess de Monterey in the Augustinian monastery at Salamanca.

  6. 1654년 6월 10일

    Died

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빅토리아 앨버트 박물관에서 전시 중

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같은 주제의 작품 · Hell

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