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Reaper (e), Richard Hamilton, 1949
Richard Hamilton의 초상Richard Hamilton잉글랜드, 1922–2011

Reaper (e)

1949 · Print

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〈Reaper (e)〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 9일.

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워싱턴 D.C., 미국

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1980.45.789

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Richard Hamilton의 생애 속 이 작품

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  1. 1947

    National Service and the idea of illustrating “Ulysses”

    During his National Service in 1947 the idea occurs to him of illustrating James Joyce’s complex, experimental novel “Ulysses.” He makes his first preliminary sketches at the Slade School of Art, where he then spends two years, and goes on refining and reworking the images for some fifty years.

  2. 1950s–1966

    Teaches in Newcastle at Pasmore’s invitation

    Through Penrose he meets Victor Pasmore, who gives him a teaching post in the Fine Art Department of Durham University at Newcastle upon Tyne, which lasts until 1966 (from 1952 to 1966 he also teaches at the Central School of Art and Design). Among his students are Rita Donagh, Mark Lancaster, Tim Head, Roxy Music founder Bryan Ferry and Ferry’s visual collaborator Nicholas de Ville; Hamilton described Ferry as “his greatest creation.”

  3. 1950–2010 · 작업 장소

    Solingen

  4. 1951

    The exhibition “Growth and Form” at the ICA

    At the Institute of Contemporary Arts in London he stages the exhibition “Growth and Form,” a pioneering form of installation art in which scientific models, diagrams and photographs are presented as a unified artwork. It grew out of D’Arcy Wentworth Thompson’s 1917 book “On Growth and Form”; at the ICA Hamilton also designed and installed other exhibitions, including one on James Joyce and “The Wonder and the Horror of the Human Head,” curated by Roland Penrose.

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Eine kleine schone scheise fur dieter, Richard Hamilton, sec. XX

Eine kleine schone scheise fur dieter

sec. XX · Pinacoteca Nazionale di Bologna

Reaper (j), Richard Hamilton, 1949

Reaper (j)

1949 · 전시하지 않음 · 내셔널 갤러리 오브 아트

Reaper (b), Richard Hamilton, 1949

Reaper (b)

1949 · 전시하지 않음 · 내셔널 갤러리 오브 아트

Reaper (m), Richard Hamilton, 1949

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1949 · 전시하지 않음 · 내셔널 갤러리 오브 아트

Pin-up, Richard Hamilton, 1961

Pin-up

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Glorious Techniculture, Richard Hamilton, 1961-64

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Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

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Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

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Vincent van Gogh

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Jed Johnson and Roland Waden, Andy Warhol, July 22, 1980

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Automobilist, Marc Chagall, 1922

Marc Chagall

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Erasmus of Rotterdam, Albrecht Dürer, 1526

Albrecht Dürer

Erasmus of Rotterdam, 1526

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The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

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All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

전시하지 않음 · 내셔널 갤러리 오브 아트

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

전시하지 않음 · 내셔널 갤러리 오브 아트

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

전시하지 않음 · 내셔널 갤러리 오브 아트

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

전시하지 않음 · 내셔널 갤러리 오브 아트