Paul Klee독일, 1879–1940Never Ending
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〈Never Ending〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.
워싱턴 D.C., 미국
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- 내셔널 갤러리 오브 아트
- 이미지: 내셔널 갤러리 오브 아트 — © the artist or rights holder
Paul Klee의 생애 속 이 작품
생애 전체 보기1921–1931
The preliminary course on the “theory of form”
Klee developed a preliminary course in the “theory of form” that began with the “point as the beginning of all beginnings”, moving through space, and the “cosmic egg” from which line, spiral, square, circle and cube are born. Students listened to lectures illustrated with Klee’s own abstract watercolours and then painted their own, trying to express movement, balance, flight and tension.
1928–1929
A journey to Egypt
Egypt impressed Klee less than Tunisia, yet in the desert he felt an almost mystical bond with the land: he was drawn to the proportions of the ancient funerary monuments and to the esoteric numerology by which they were built. His later “Ad Parnassum” was influenced by the trip.
1929
The first major monograph on Klee
In 1929 the first major monograph on Klee’s work was published; it was written by Will Grohmann, a confidant of the artist.
1931
Leaving the Bauhaus for the Düsseldorf Academy
Teaching at the Bauhaus shifted ever more from painting towards an architectural aesthetic, which no longer suited Klee: in 1931 he gave up his post there and became a professor at the Düsseldorf Academy of Art.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
