Landscape with Milkmaid, Thomas Gainsborough, between 1754 and 1756
Thomas Gainsborough의 초상Thomas Gainsborough영국, 1727–1788

Landscape with Milkmaid

between 1754 and 1756 · Painting · 76.2 × 101.6 cm

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〈Landscape with Milkmaid〉는 지금 어디에 있나요? 소장처: Yale Center for British Art, 뉴헤이번. 현재 전시하지 않습니다. 확인일 2026년 10월 19일.

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B1981.25.292

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Thomas Gainsborough의 생애 속 이 작품

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  1. 1750s

    Portraits pay the bills: the example of Hogarth

    Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.

  2. 1752

    The move to Ipswich

    In 1752 Gainsborough, his wife and their two daughters, Mary (“Molly”) and Margaret (“Peggy”), move to Ipswich. Portrait commissions increase, but his clients are mostly local merchants and squires, and he has to borrow against his wife's annuity of £200, which the Duke of Beaufort had settled on her.

  3. c. 1752 – 1759

    The Ipswich Music Club

    In Ipswich Gainsborough becomes a member of the Music Club, where he meets fellow music lovers and professional musicians; later he will paint portraits of some of them, and a group portrait of the club's members.

  4. 1758

    A commission for portraits of the Earl of Jersey and his son

    In December 1758 Gainsborough receives a commission for portraits of the Earl of Jersey and his son Lord Villiers. The portraits meet with approval and the painter's fame grows.

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