Pietro Perugino이탈리아, 1448–1523La Vierge et l'Enfant entourés de deux anges, sainte Rose et sainte Catherine
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〈La Vierge et l'Enfant entourés de deux anges, sainte Rose et sainte Catherine〉는 지금 어디에 있나요? 루브르 박물관, Salle 710, Aile Denon, Niveau 1, 파리. 네, 현재 전시 중입니다. 확인일 2026년 10월 27일.
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The Madonna and Child with Two Angels, Saint Rose and Saint Catherine is an oil painting of c. 1490–1492 in the tondo format by Pietro Perugino and Andrea Aloigi. It shows the Madonna and Child with Saints Rose of Viterbo and Catherine of Alexandria, surrounded by angels. It was sold from the collection of William II of the Netherlands in 1850 to the Louvre in Paris, where it is now on display.
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- 루브르 박물관
- 이미지: 루브르 박물관 — © 1996 GrandPalaisRmn (musée du Louvre) / Jean-Gilles Berizzi
Pietro Perugino의 생애 속 이 작품
생애 전체 보기c. 1481
Summoned to Rome to paint the Sistine Chapel
Already a renowned master, Perugino is invited by Pope Sixtus IV to Rome, among the best artists of Italy — Botticelli, Ghirlandaio, Cosimo Rosselli, Luca Signorelli and others — to take part in painting the Sistine Chapel.
c. 1481
Pinturicchio — assistant and partner
Perugino's assistant Pinturicchio accompanies him to Rome and is made his partner, receiving a third of the profits; he may have done some of the Moses and Zipporah subjects.
1486–1499
Two studios: in Florence and in Perugia
Between 1486 and 1499 Perugino works mainly between Florence and Perugia, maintaining a studio in each city. In the 1480s and 1490s he is one of the most celebrated artists of Italy.
1493
Marriage to Chiara Fancelli and return to Florence
According to Vasari, Perugino returns to Florence in September 1493 to marry Chiara, daughter of the architect Luca Fancelli. That same year Florence again becomes his permanent home, although he continues to accept work elsewhere.
1496
The money-changers' guild commissions the Cambio hall
The money-changers' guild of Perugia asks Perugino to decorate the Sala delle Udienze of the Collegio del Cambio, with the humanist scholar Francesco Maturanzio as consultant. The scheme — a vault with the seven planets and the signs of the zodiac, and sacred subjects on the walls — may have been finished by 1500; on the mid-pilaster Perugino placed his own bust-form portrait.
c. 1496
Raphael's possible apprenticeship as a boy
Around 1496 Raphael, still a boy, may have been placed by his uncles under Perugino's tuition and may have had a hand in the work on the vaulting of the Cambio hall.
