Lyonel Feininger독일, 1871–1956House
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〈House〉는 지금 어디에 있나요? 소장처: 클리블랜드 미술관, 클리블랜드. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.
클리블랜드, 미국
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조각 소개
Over the course of several decades, Lyonel Feininger made hundreds of sawn and painted wood toys that that he gifted to family and friends at Christmas. The artist once described the humorous vein in his work as the "childlike joyous and fantastic-bizarre Feininger world."
클리블랜드 미술관
상세 정보
- 소장품 번호
- 1985.170.6
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출처
- 클리블랜드 미술관
- 이미지: 클리블랜드 미술관 — © 2007 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Lyonel Feininger의 생애 속 이 작품
생애 전체 보기1919
First faculty member of the Bauhaus
When Walter Gropius founds the Bauhaus, Feininger becomes his first faculty appointment and the master artist in charge of the printmaking workshop. Among those who attend his workshops are Ludwig Hirschfeld-Mack, Hans Friedrich Grohs and Margarete Koehler-Bittkow.
1924
Founding of “The Blue Four”
In 1924 he becomes one of the founders of the exhibition society “The Blue Four” (German: Blaue Vier).
1928
Start of his photographic work
From 1928 until the mid-1950s he produces a large body of photographic work; in Dessau his neighbor is the experimental photographer László Moholy-Nagy, who encourages him. He keeps the photographs within his circle of friends and never shows them to the public in his lifetime, giving only a few prints to Walter Gropius and Alfred H. Barr Jr.
1933
The Nazis declare his art “degenerate”
When the Nazis come to power in 1933, the situation becomes unbearable for Feininger and his wife; the Nazis declare his work “degenerate.”
1936
His work at a “degenerate art” exhibition
In 1936 his work is shown in a “degenerate art” (Entartete Kunst) exhibition.
1936–1937
Leaving Germany for America
After the 1936 “degenerate art” exhibition but before the 1937 exhibition in Munich, Feininger and his wife leave for America; by other accounts, this happened in 1938. He first teaches at Mills College, then returns to New York.
