Fin d'arabesque, Edgar Degas, 1870s
Edgar Degas의 초상Edgar Degas프랑스, 1834–1917

Fin d'arabesque

1870s · Painting · 67.4 × 38 cm

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〈Fin d'arabesque〉는 지금 어디에 있나요? 소장처: 오르세 미술관, 파리. 오늘 전시 중인지는 확인되지 않았습니다.

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그림 소개

Fin d’arabesque, or End of an Arabesque, is Edgar Degas’s painting of the 1870s at the Musée d’Orsay in Paris. The dancer carries a bouquet in her right hand as she takes a bow. Oil and pastel combine on a narrow canvas, 67.4 by 38 centimeters. The work appeared in the third impressionist exhibition.

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소장품 번호
RF 4040

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  • 위키데이터
  • 이미지: 오르세 미술관 — Edgar Degas · Public domain · Wikimedia Commons

Edgar Degas의 생애 속 이 작품

생애 전체 보기
  1. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  2. early 1870s

    Meets Durand-Ruel

    Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.

  3. 1872년 10월 – 1873년 3월 · 거주

    New Orleans

  4. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  5. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  6. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

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