Eduard Bernstein, Max Liebermann, 1919
Max Liebermann의 초상Max Liebermann독일, 1847–1935

Eduard Bernstein

1919 · Print

볼 수 있나요?

현재 전시하지 않습니다

〈Eduard Bernstein〉는 지금 어디에 있나요? 소장처: 하버드 미술관, 케임브리지. 현재 전시하지 않습니다. 확인일 2026년 11월 2일.

하버드 미술관

케임브리지, 미국

소장품이지만 현재 전시하지 않습니다.

확인일
이 상태가 시작된 날짜
출처
미술관
퍼가기

상세 정보

소장품 번호
M12038

목록에 등록됨

출처

  • 하버드 미술관
  • 이미지: 하버드 미술관 — © President and Fellows of Harvard College

Max Liebermann의 생애 속 이 작품

생애 전체 보기
  1. 1917

    Retrospective for his 70th birthday at the Prussian Academy

    The Academy showed almost 200 paintings; the director of the National Gallery, Ludwig Justi, promised Liebermann a cabinet of his own, and Wilhelm II approved the exhibition and awarded him the Order of the Red Eagle, 3rd class. The honoree noted with satisfaction that the Kaiser had buried the hatchet against modern art.

  2. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  3. 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  4. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  5. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

모든 작품

하버드 미술관에서 전시 중

미술관 페이지