Drinker (Trinker), Paul Klee, c. 1909
Paul Klee의 초상Paul Klee독일, 1879–1940

Drinker (Trinker)

c. 1909 · Print

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〈Drinker (Trinker)〉는 지금 어디에 있나요? 소장처: 뉴욕 근대미술관, 뉴욕. 현재 전시하지 않습니다. 확인일 2026년 10월 27일.

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332.1948

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Paul Klee의 생애 속 이 작품

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  1. 1907년 11월 30일

    Son born: Felix Klee

  2. 1907–1911

    Klee keeps house while Lily gives lessons

    After the birth of his son Felix, Klee — unusually for the time — took on most of the care of the child and the household: Lily gave up her career as a pianist for teaching, and Klee’s studio was set up in the kitchen. His attempt to become a magazine illustrator failed and his work progressed slowly, as domestic duties took his time and he searched for a new approach to art.

  3. 1908

    The secession shows and joining Die Walze

    In May 1908 Klee joined the Swiss graphic artists’ association Die Walze and that same year showed three works at the Munich Secession; six more of his works were exhibited at the Berlin Secession and in Munich’s Glass Palace.

  4. 1910

    First solo exhibition, in Bern

    Klee’s first solo exhibition, “56 Works by Klee”, opened in Bern; his watercolours, etchings and drawings were then shown in Zurich, Winterthur and Basel. His style was so unusual even for avant-garde artists that both critics and painters were bewildered.

  5. 1911

    Meeting Alfred Kubin

    In December 1910 Alfred Kubin asked Klee to select prints for his collection, and in January 1911 they met in person: Klee shared his plan to illustrate Voltaire’s “Candide”, and Kubin, who greatly liked his sarcasm and irony, became one of the artist’s first significant collectors. At Kubin’s suggestion Klee became a founder of the Munich artists’ society Sema (whose members also included Egon Schiele, Max Oppenheimer, Edwin Scharff and Robert Genin), and in the same year, through Kubin, he met the art critic Wilhelm Hausenstein.

  6. autumn 1911

    Meeting Macke and Kandinsky; the “Blue Rider”

    In the autumn of 1911 Klee met August Macke and Wassily Kandinsky; of Kandinsky he noted that he felt a deep trust in him and saw an exceptionally beautiful and lucid mind. In the winter he joined the editorial team of the almanac “Der Blaue Reiter”, founded by Kandinsky and Franz Marc, and within a few months became one of its most important and independent members, though never fully integrated.

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