Curl-up, M.C. Escher, 1951
Maurits Cornelis Escher의 초상Maurits Cornelis Escher네덜란드, 1898–1972

Curl-up

1951 · Print

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〈Curl-up〉는 지금 어디에 있나요? 소장처: 내셔널 갤러리 오브 아트, 워싱턴 D.C. 현재 전시하지 않습니다. 확인일 2026년 11월 9일.

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워싱턴 D.C., 미국

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작품 소개

Curl-up, a lithograph by M. C. Escher from 1951, belongs to the National Gallery of Art in Washington. Segmented creatures with outward-spreading legs appear in several positions beside explanatory writing. Their rounded body sections join together in long, articulated forms. This Rosenwald impression was shown in an Escher exhibition at Princeton in 1971–1972.

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소장품 번호
1964.8.735

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Maurits Cornelis Escher의 생애 속 이 작품

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  1. 1946–1951

    Mezzotint: a brief experiment

    In 1946 Escher became interested in intaglio printing, but it took too much time: until 1951 he made no more than seven mezzotint prints and never returned to intaglio, preferring tonal contrast to linear outline. These few works are considered masterpieces of the technique.

  2. 1949

    Rotterdam: a large exhibition of graphic work

    In 1949 Escher and two other artists held a large exhibition of their graphic work in Rotterdam; several works were sold, and the artists explained how they were made — Escher, for instance, said that for “Reptiles” he modelled a small plasticine figure and moved it across a table.

  3. 1950

    The first solo exhibition in the USA

    In 1950 Escher’s first solo exhibition in the USA was held in Washington; sales of his work in America rose sharply — in the mid-1950s he sold 150 prints through a Washington dealer for $2,125. In the 1950s Escher also became a popular public lecturer.

  4. 1951

    “Time” and “Life”: worldwide fame

    After two articles Escher became known in the USA: in late 1950 Israel Shenker, a correspondent of the British magazine “The Studio”, interviewed him (published in February 1951), and then “Time” (2 April) and “Life” (7 May) wrote about him. Popular in Europe but little known in America, the artist gained worldwide fame from that moment.

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