Caryatid, Amedeo Modigliani, c. 1913
Amedeo Modigliani의 초상Amedeo Modigliani이탈리아, 1884–1920

Caryatid

c. 1913 · Drawing and Watercolor

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〈Caryatid〉는 지금 어디에 있나요? 소장처: 시카고 미술관, 시카고. 현재 전시하지 않습니다. 확인일 2026년 11월 9일.

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소장품 번호
1942.462

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Amedeo Modigliani의 생애 속 이 작품

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  1. spring 1910 – August 1911

    The affair with Anna Akhmatova

    In the spring of 1910 Modigliani meets the young Russian poet Anna Akhmatova, five years his junior; their passionate infatuation lasts until August 1911, after which they never meet again. Akhmatova takes 16 portraits of herself back to Russia.

  2. 1911

    The “Pillars of Tenderness” and the plan for a “Temple of Beauty”

    In 1911 Modigliani exhibits stone sculpted heads, his “pillars of tenderness”, in the studio of the Portuguese artist Amadeo de Souza-Cardoso. It is then that he conceives the idea of a “Temple of Beauty”, for which he develops the caryatid motif.

  3. 1912

    Sculpted heads at the Salon d’Automne

    In 1912 Modigliani shows seven sculpted heads at the Salon d’Automne, and some of them are even bought. There he meets the sculptors Jacob Epstein and Jacques Lipchitz.

  4. by 1914

    Gives up sculpture for painting

    By 1914 Modigliani abandons sculpting and focuses solely on painting, a move precipitated by the difficulty of acquiring sculptural materials once the war breaks out, and by his physical debilitation.

  5. 1914

    Paul Guillaume replaces Paul Alexandre

    Paul Alexandre, called up into the army, terminates his contract with the artist, and Modigliani’s new patron becomes the gallery owner and collector Paul Guillaume, who exhibits his work in his gallery.

  6. 1914

    Beatrice Hastings

    Modigliani meets the talented and eccentric Englishwoman Beatrice Hastings, a poet and columnist for The New Age, who becomes his companion, muse and favourite model: he devotes 14 portraits to her. The relationship lasts about two years.

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