Albrecht Dürer독일, 1471–1528Beweinung Christi
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Albrecht Dürer의 생애 속 이 작품
생애 전체 보기1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507 · 작업 장소
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · 작업 장소
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
![HUMANI GENERIS REDEMPTORI [Grablegung], Andrea Mantegna, 1460–1470](https://diglib.hab.de/varia/haum/a-mantegna-ab3-0001/max/000001.jpg)
![[Pietá (Christus von Caprarola)], Annibale Carracci, 1597](https://diglib.hab.de/varia/haum/carracci-ann-v3-0909/max/000001.jpg)
![[Grablegung; Entombment; Graflegging van Christus], Hendrik Goltzius, 1596](https://diglib.hab.de/varia/haum/goltzius-h-wb3-0011/max/000001.jpg)
