Edgar Degas프랑스, 1834–1917Bather Drying Herself
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Edgar Degas의 생애 속 이 작품
생애 전체 보기1881
“The Little Dancer of Fourteen Years” on show
The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.
1881
The pastels “Criminal Physiognomies”
Degas attended the trial of the young gang members convicted of murder in the Abadie affair, sketchbook in hand, and in 1881 exhibited two pastels, “Criminal Physiognomies”. The drawings reveal his interest in features that some nineteenth-century scientists took as evidence of innate criminality.
by 1882
His eyesight sharply worsens
By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.
1886
The eighth exhibition: pastel nudes, and the end of the group
At the last Impressionist exhibition Degas showed a suite of pastel nudes, which drew more critical writing than anything else in his lifetime, mostly laudatory. The group broke up, partly through rancour over the inclusion of non-Impressionists such as Forain and Raffaëlli.
