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Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaModo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1876イエール大学美術館

Cruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Estan calientes (They Are Hot), pl. 13 from the series Los caprichos, Francisco Goya, 1797–1798, published 1799

Francisco de GoyaEstan calientes (They Are Hot), pl. 13 from the series Los caprichos1797–1798, published 1799イエール大学美術館

No llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1816イエール大学美術館

Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876イエール大学美術館

Se aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Bárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

El ciego de la guitarra (The Blind Guitarist), Francisco Goya, ca. 1778

Francisco de GoyaEl ciego de la guitarra (The Blind Guitarist)ca. 1778イエール大学美術館

Esto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Title Page for Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTitle Page for Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Si Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaSi Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Clamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaClamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Disparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Disparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1877

Francisco de GoyaDisparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1877イエール大学美術館

El caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaEl caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876イエール大学美術館

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1816イエール大学美術館

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition)1876イエール大学美術館

Disparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863

Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863イエール大学美術館

Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876イエール大学美術館

Modo de volar (A Way of Flying), pl. 13 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaModo de volar (A Way of Flying), pl. 13 from the series Los proverbiosca. 1816–1823, published 1864イエール大学美術館

Two Heads Are Better than One, pl. 11 from the series Los proverbios, Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaTwo Heads Are Better than One, pl. 11 from the series Los proverbiosca. 1816–19, published 1864イエール大学美術館

Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Ni mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaNi mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos1797–98, published 1799イエール大学美術館

Tampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaTampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Que valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876イエール大学美術館

Bien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1816イエール大学美術館

No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876イエール大学美術館

Así sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAsí sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876イエール大学美術館

Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876イエール大学美術館

El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876イエール大学美術館

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