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Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

El caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaEl caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876イエール大学美術館

Modo de volar (A Way of Flying), pl. 13 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaModo de volar (A Way of Flying), pl. 13 from the series Los proverbiosca. 1816–1823, published 1864イエール大学美術館

Bárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

El ciego de la guitarra (The Blind Guitarist), Francisco Goya, ca. 1778

Francisco de GoyaEl ciego de la guitarra (The Blind Guitarist)ca. 1778イエール大学美術館

Ni mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaNi mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos1797–98, published 1799イエール大学美術館

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1876イエール大学美術館

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaModo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1816イエール大学美術館

Ni por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNi por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1876イエール大学美術館

Disparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1816イエール大学美術館

Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Así sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAsí sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863イエール大学美術館

Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876イエール大学美術館

Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876イエール大学美術館

El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876イエール大学美術館

Amarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaAmarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1816イエール大学美術館

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia1816イエール大学美術館

Qué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876イエール大学美術館

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876イエール大学美術館

Se aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Two Heads Are Better than One, pl. 11 from the series Los proverbios, Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaTwo Heads Are Better than One, pl. 11 from the series Los proverbiosca. 1816–19, published 1864イエール大学美術館

Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Esto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Tampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaTampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Para eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863イエール大学美術館

Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAl cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Sopla (Blow), pl. 69 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaSopla (Blow), pl. 69 from the series Los caprichos1797–98イエール大学美術館

Lo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Disparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1877

Francisco de GoyaDisparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1877イエール大学美術館

Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876イエール大学美術館

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1816イエール大学美術館

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)イエール大学美術館

Disparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1876イエール大学美術館

Disparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864イエール大学美術館

Clamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaClamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863イエール大学美術館

Tampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War)1863イエール大学美術館

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