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Text, Folio 100 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 100 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Text, Folio 32 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 32 (recto), from a Kalpa-sutrac. 1475–1500クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Triptych of the Virgin and Child with Scenes from the Life of Christ, Venetian, c. 1320VenetianTriptych of the Virgin and Child with Scenes from the Life of Christc. 1320展示室 237シカゴ美術館
Virgin and Child with an Angel, Sandro Botticelli, 1475/85Sandro BotticelliVirgin and Child with an Angel1475/85展示室 205シカゴ美術館
Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin, c. 1760Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquinc. 1760クリーブランド美術館
The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Nightc. 1560クリーブランド美術館
The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560クリーブランド美術館
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayanac. 1700–25クリーブランド美術館
Goddess Mangala, from a Devi Series, c. 1660Goddess Mangala, from a Devi Seriesc. 1660クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Sanehi Ragini, from the “Second Basohli" Ragamala, c. 1690–95Sanehi Ragini, from the “Second Basohli" Ragamalac. 1690–95クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): blank page, c. 1560Page from Tales of a Parrot (Tuti-nama): blank pagec. 1560クリーブランド美術館
Text, Folio 145 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 145 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, Netherlandish, c. 1400NetherlandishTriptych of the Crucifixion with Saints Anthony, Christopher, James and Georgec. 1400展示室 237シカゴ美術館
Shore Leave, Paul Cadmus, 1933Paul CadmusShore Leave1933ホイットニー美術館
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4クリーブランド美術館
The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)c. 1560クリーブランド美術館
Noblewoman at a Jharokha Window Holding a Rose, from a Portraits of Women series, c. 1730Noblewoman at a Jharokha Window Holding a Rose, from a Portraits of Women seriesc. 1730クリーブランド美術館
Portrait of Gadadhar Prasad, 1881Portrait of Gadadhar Prasad1881クリーブランド美術館
Krishna Receives a Flower Garland, Sitaram, c. 1750–60SitaramKrishna Receives a Flower Garlandc. 1750–60クリーブランド美術館
Text, Folio 118 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 118 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Text, Folio 119 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 119 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Text, folio 159 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 159 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Negroes on Rockaway Beach, Reginald Marsh, 1934Reginald MarshNegroes on Rockaway Beach1934ホイットニー美術館
Madonna and Child, Lippo Memmi, c. 1350Lippo MemmiMadonna and Childc. 1350110A Italian Gothicクリーブランド美術館
A Princess on a Terrace with Attendants at Night (recto), c. 1760A Princess on a Terrace with Attendants at Night (recto)c. 1760クリーブランド美術館
The parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot)c. 1560クリーブランド美術館
The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)c. 1560クリーブランド美術館
Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra, c. 1500Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutrac. 1500クリーブランド美術館
Portrait of Raja Bikramajit, Lal Chand, c. 1620Lal ChandPortrait of Raja Bikramajitc. 1620クリーブランド美術館
Text, Folio 35 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 35 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560クリーブランド美術館
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560クリーブランド美術館
The Assumption of the Virgin with Saints from an Augustinian altarpiece, Venetian, 1450/75VenetianThe Assumption of the Virgin with Saints from an Augustinian altarpiece1450/75展示室 237シカゴ美術館
The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Night, c. 1560The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Nightc. 1560クリーブランド美術館
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Nightc. 1560クリーブランド美術館
The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Nightc. 1560クリーブランド美術館
Leaf from Gratian's Decretum: Table of Affinity, c. 1270–1300Leaf from Gratian's Decretum: Table of Affinityc. 1270–1300クリーブランド美術館
Gosain Narottam Das, c. 1720–30Gosain Narottam Dasc. 1720–30クリーブランド美術館
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