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52,001点の作品 (131館の所蔵)現在展示中 44点すべて解除

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Study for a book of verse(?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a book of verse(?)n.d.イエール大学美術館
Preliminary study for Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary study for Love's Labour's Lostca. 1891イエール大学美術館
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Enter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyEnter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor1889イエール大学美術館
"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin Abbey"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884イエール大学美術館
Sheet of sketches of country figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of country figuresn.d.イエール大学美術館
Angelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAngelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measuren.d.イエール大学美術館
People in medieval dress, outside - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeople in medieval dress, outside - unidentified illustrationn.d.イエール大学美術館
Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It, Edwin Austin Abbey, 1891Edwin Austin AbbeyOliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It1891イエール大学美術館
Armado and Moth, from Act III, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyArmado and Moth, from Act III, Scene i, Love's Labour's Lost1891イエール大学美術館
"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin Abbey"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer1884イエール大学美術館
Katherine and Alice - Act III, Scene V, King Henry V, Edwin Austin Abbey, 1908Edwin Austin AbbeyKatherine and Alice - Act III, Scene V, King Henry V1908イエール大学美術館
Edgar Armed - Act V, Scene III, King Lear, Edwin Austin Abbey, 1902Edwin Austin AbbeyEdgar Armed - Act V, Scene III, King Lear1902イエール大学美術館
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.イエール大学美術館
Lafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyLafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well1891イエール大学美術館
"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin Abbey"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs1887イエール大学美術館
Woman seated, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman seated, sketch for an unidentified Shakespeare playn.d.イエール大学美術館
Illustration inside a factory, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration inside a factoryn.d.イエール大学美術館
Illustration for "Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Love Song," from Old Songs1887イエール大学美術館
"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99ca. 1890sイエール大学美術館
"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43ca. 1890sイエール大学美術館
Study for a "Matrimonial Speculation", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a "Matrimonial Speculation"n.d.イエール大学美術館
Olivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyOlivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night1891イエール大学美術館
Unidentified illustration- Study of person in prison, Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration- Study of person in prisonn.d.イエール大学美術館
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Sketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbeyn.d.イエール大学美術館
Study of Two Figures, from Love's Labour's Lost, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lostn.d.イエール大学美術館
Figure study - two men carrying a stretcher, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigure study - two men carrying a stretchern.d.イエール大学美術館
Studies of bottle and heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of bottle and headsn.d.イエール大学美術館
Don John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing1890イエール大学美術館
Sketch for "Sweet Nelly,...My Heart's Delight" from Old Songs, Edwin Austin Abbey, 1889Edwin Austin AbbeySketch for "Sweet Nelly,...My Heart's Delight" from Old Songs1889イエール大学美術館
Rosalind in boys clothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind in boys clothingca. 1890イエール大学美術館
Unidentified illustration, Edwin Austin Abbey, 1878Edwin Austin AbbeyUnidentified illustration1878イエール大学美術館
Sketch for "The Leather Bottel," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs1887イエール大学美術館
Shallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyShallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor1889イエール大学美術館
Sheet of studies of cricket players, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of cricket playersn.d.イエール大学美術館
Iachimo Steals from the Trunk - Act II, Scene II, Cymbeline, Edwin Austin Abbey, 1907–8Edwin Austin AbbeyIachimo Steals from the Trunk - Act II, Scene II, Cymbeline1907–8イエール大学美術館
Study for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venice, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venicen.d.イエール大学美術館
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1887イエール大学美術館
Sketch for a mural over a door jamb - unidentified, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a mural over a door jamb - unidentifiedn.d.イエール大学美術館
Preliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Well, Edwin Austin Abbey, ca. 1892Edwin Austin AbbeyPreliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Wellca. 1892イエール大学美術館
"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57ca. 1890sイエール大学美術館
First Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus, Edwin Austin Abbey, 1909Edwin Austin AbbeyFirst Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus1909イエール大学美術館
Dull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyDull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost1891イエール大学美術館
Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyBeatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing1891イエール大学美術館
Prologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyPrologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 18891889イエール大学美術館
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
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