Edwin Austin AbbeySheet of studies of facesEdwin Austin AbbeySheet of studies of faces
Edwin Austin Abbey"Hail heaven! Hail heaven!" - Act III, Scene III, Cymbeline
Edwin Austin AbbeySheet of sketches of heads and hands
Edwin Austin Abbey"The host himself no longer shall be found," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 73
Edwin Austin AbbeyPile of men: caricature of "rough-house" Early
Edwin Austin AbbeyTomb Scene - Romeo finds Juliet, from Romeo and Juliet
Edwin Austin AbbeyJohn Alden
Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ
Edwin Austin AbbeyFigures under an arbor - (unidentified illustration)
Edwin Austin AbbeyStudy of a seated woman
Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs
Edwin Austin AbbeySketch for "Barbara Allen," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyPerdita Discovered - Act III, Scene III, The Winter's Tale
Edwin Austin AbbeyStudy for Armado, from Love's Labour's Lost
Edwin Austin AbbeyTwo female figure in cloister, from The Cloister
Edwin Austin AbbeyTugboat Pushing Barge on River
Edwin Austin AbbeyStudy for An Old Song (watercolor)
Edwin Austin AbbeyDon Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing
Edwin Austin AbbeyEnter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 1896
Edwin Austin AbbeyDogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing
Edwin Austin AbbeyEnter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyIllustration for "Sally in our Alley," from Old Songs
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyThree studies for Wandering Minstrel (oil painting)
Edwin Austin AbbeyStudy for "The Trial of Queen Katherine"
Edwin Austin AbbeyJester and woman, sketch for The Daffodil Song
Edwin Austin AbbeyLeonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles
Edwin Austin AbbeyRebecca and Rowena, illustration for Ivanhoe
Edwin Austin AbbeyStudy of Lady Anne, for Richard III
Edwin Austin AbbeyPrince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice
Edwin Austin AbbeySketch of a knight in armor
Edwin Austin AbbeyThe torn letter, from Act I, Scene ii, Two Gentlemen of Verona
Edwin Austin AbbeyGalahad at the Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lost
Edwin Austin AbbeySketches of armor, with prices in British pounds below each item
Edwin Austin AbbeyGratiano: "My eyes, my lord, can look as swift as yours," from Act III, Scene ii, Merchant of Venice
Edwin Austin AbbeyIllustration for "Sweet Nell - My Heart's Delight," from Old Songs
Edwin Austin AbbeyValentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona
Edwin Austin AbbeyStudy of a woman (recto); Study of a crouching man (verso)
Edwin Austin AbbeyBottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream
Edwin Austin AbbeyMen in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New World
Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeyStudies of an artist, sketching
Edwin Austin AbbeyTwo figures in a churchyard
Edwin Austin AbbeyThe Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer