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52,001点の作品 (131館の所蔵)現在展示中 44点すべて解除

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"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169), Edwin Austin Abbey, ca. 1909Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)ca. 1909イエール大学美術館
Study of two figures, possibly Jacob and the Angel, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of two figures, possibly Jacob and the Angeln.d.イエール大学美術館
The Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona1891イエール大学美術館
Woman and dog in an interior - (unidentified illustration for a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman and dog in an interior - (unidentified illustration for a play?)n.d.イエール大学美術館
Ferdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest1891イエール大学美術館
Helena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well1891イエール大学美術館
In Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream1893イエール大学美術館
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.イエール大学美術館
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.イエール大学美術館
"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village, Edwin Austin Abbey, 19th centuryEdwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village19th centuryイエール大学美術館
"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life1883イエール大学美術館
Sketch of a fat man, seated, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a fat man, seatedn.d.イエール大学美術館
Sheet of studies of a single face, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of a single facen.d.イエール大学美術館
Timon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens, Edwin Austin Abbey, 1903Edwin Austin AbbeyTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens1903イエール大学美術館
Unidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)n.d.イエール大学美術館
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.イエール大学美術館
Sketch for The Noble Patron, Edwin Austin Abbey, 1888Edwin Austin AbbeySketch for The Noble Patron1888イエール大学美術館
Sketch of an exterior: buildings and tree, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an exterior: buildings and treen.d.イエール大学美術館
"How often I have loitered o'er thy green" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"How often I have loitered o'er thy green" from The Deserted Villageca. 1898イエール大学美術館
The Return of the Native, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThe Return of the Nativen.d.イエール大学美術館
Woman on beach holding book, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobsterca. 1886イエール大学美術館
"Isaac Walker" [Man smoking a pipe, sitting on bench], Edwin Austin Abbey, n.d.Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]n.d.イエール大学美術館
Cartoon of a man chasing a bee with a basket, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man chasing a bee with a basketn.d.イエール大学美術館
Illustration for "Early One Morning," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs1888イエール大学美術館
Study of a nude female figure holding a scroll, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a nude female figure holding a scrolln.d.イエール大学美術館
"Old Prob" - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin Abbey"Old Prob" - unidentified illustrationn.d.イエール大学美術館
Early studies for Taming of the Shrew (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly studies for Taming of the Shrew (?)n.d.イエール大学美術館
Simple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeySimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor1889イエール大学美術館
"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life1883イエール大学美術館
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Portrait of an unidentified young man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPortrait of an unidentified young mann.d.イエール大学美術館
Study of a man's back, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man's backn.d.イエール大学美術館
Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors1889イエール大学美術館
Dining Scene - illustration for Austin Dobson's Ladies of Saint James, Edwin Austin Abbey, 1882Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James1882イエール大学美術館
"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I, Edwin Austin Abbey, 1885Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I1885イエール大学美術館
Sketch, "Holy Grail", The Knighting of Sir Galahad., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.n.d.イエール大学美術館
Man on Bridge, sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs1886イエール大学美術館
Katharina, illustration for Act I, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyKatharina, illustration for Act I, Scene i, Taming of the Shrew1892イエール大学美術館
Jacques, illustration for Act II, Scene v, As You Like It, Edwin Austin Abbey, 1890Edwin Austin AbbeyJacques, illustration for Act II, Scene v, As You Like It1890イエール大学美術館
Clown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well1891イエール大学美術館
Sketches of Cows, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Cowsn.d.イエール大学美術館
Study for Fiametta's Song (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Fiametta's Song (oil painting)n.d.イエール大学美術館
Sketches of Two Male Figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Two Male Figuresn.d.イエール大学美術館
Sketch of an interior: man reading aloud, women knitting - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustrationn.d.イエール大学美術館
Study for The Wrestling Scene in "As You Like It", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"n.d.イエール大学美術館
Sheet of sketches of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of facesn.d.イエール大学美術館
"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53ca. 1890sイエール大学美術館
Slender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsorca. 1889イエール大学美術館
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