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所蔵館:J・ポール・ゲティ美術館、アムステルダム国立美術館、イェール・ブリティッシュ・アート・センター、イエール大学美術館、ヴィクトリア&アルバート博物館、エルミタージュ美術館、クーパー・ヒューイット国立デザイン博物館、クリーブランド美術館、ゲティ・ヴィラ、コペンハーゲン国立美術館、シカゴ美術館、スミソニアン・アメリカ美術館、スミソニアン国立アジア美術館、トレチャコフ美術館、ナショナル・ギャラリー、ニューヨーク近代美術館、ハーシュホーン博物館と彫刻の庭、ハーバード美術館群、プーシキン美術館、ホイットニー美術館、ミネアポリス美術館、メトロポリタン美術館、ルーヴル美術館、ロシア美術館、国立肖像画美術館、ロシア博物館資料国家目録(274館)、Europeana(19館)、ウィキデータ(44館)、Paris Musées(12館)、Joconde(フランス文化省の美術館データベース)(495館)、the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture(74館)。画像の権利は各権利者に帰属します。

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61,422点の作品 (150館の所蔵)現在展示中 48点すべて解除

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Valentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1892Edwin Austin AbbeyValentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona1892イエール大学美術館
Don Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing1890イエール大学美術館
Bottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream1893イエール大学美術館
Men in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New World, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMen in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New Worldn.d.イエール大学美術館
Sketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 1896, Edwin Austin Abbey, 1896Edwin Austin AbbeySketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 18961896イエール大学美術館
Studies of an artist, sketching, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of an artist, sketchingn.d.イエール大学美術館
Two figures in a churchyard, Edwin Austin Abbey, 1880Edwin Austin AbbeyTwo figures in a churchyard1880イエール大学美術館
Sketch for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1885Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs1885イエール大学美術館
Anthony (preliminary drawing for .3138) - Julius Caesar, Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyAnthony (preliminary drawing for .3138) - Julius Caesarca. 1906イエール大学美術館
Launcelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyLauncelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice1888イエール大学美術館
Sheet of studies: heads and musicians, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies: heads and musiciansn.d.イエール大学美術館
Sketch of a woman - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman - unidentified illustrationn.d.イエール大学美術館
Leonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles, Edwin Austin Abbey, 1908Edwin Austin AbbeyLeonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles1908イエール大学美術館
John Alden, Edwin Austin Abbey, n.d.Edwin Austin AbbeyJohn Aldenn.d.イエール大学美術館
Study of Lady Anne, for Richard III, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Lady Anne, for Richard IIIn.d.イエール大学美術館
Prince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPrince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice1888イエール大学美術館
Figures under an arbor - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures under an arbor - (unidentified illustration)n.d.イエール大学美術館
Study of a seated woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a seated womann.d.イエール大学美術館
The Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyThe Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer1884イエール大学美術館
Marriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyMarriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dreamca. 1893イエール大学美術館
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Galahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.イエール大学美術館
Polixenes and Perdita - Act IV, Scene III, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyPolixenes and Perdita - Act IV, Scene III, The Winter's Tale1891イエール大学美術館
Man Walking with Two Boys, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan Walking with Two Boysn.d.イエール大学美術館
Two studies for a woman with tennis racket - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo studies for a woman with tennis racket - (unidentified illustration)n.d.イエール大学美術館
Tomb Scene - Romeo finds Juliet, from Romeo and Juliet, Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyTomb Scene - Romeo finds Juliet, from Romeo and Julietca. 1902イエール大学美術館
Rebecca and Rowena, illustration for Ivanhoe, Edwin Austin Abbey, 1896Edwin Austin AbbeyRebecca and Rowena, illustration for Ivanhoe1896イエール大学美術館
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.イエール大学美術館
Sketch of a knight in armor, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a knight in armorn.d.イエール大学美術館
The torn letter, from Act I, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyThe torn letter, from Act I, Scene ii, Two Gentlemen of Veronaca. 1891イエール大学美術館
To Meddowes, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTo Meddowesn.d.イエール大学美術館
Sketch for King John, from King John, Edwin Austin Abbey, 1902Edwin Austin AbbeySketch for King John, from King John1902イエール大学美術館
Study of an unidentified young woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an unidentified young womann.d.イエール大学美術館
Early study for Herrick's "A. Bucolick, or Discourse of Neatherds.", Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly study for Herrick's "A. Bucolick, or Discourse of Neatherds."n.d.イエール大学美術館
Fenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyFenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor1889イエール大学美術館
Study for An Old Song (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for An Old Song (watercolor)n.d.イエール大学美術館
Study of a woman (recto); Study of a crouching man (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a woman (recto); Study of a crouching man (verso)mid-19th to early 20th centuryイエール大学美術館
Enter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyEnter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquerca. 1886イエール大学美術館
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1883イエール大学美術館
Dogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing1890イエール大学美術館
Enter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyEnter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer1884イエール大学美術館
Illustration for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyIllustration for "Sally in our Alley," from Old Songs1886イエール大学美術館
Study for Crusaders Sighting Jerusalem (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Crusaders Sighting Jerusalem (oil painting)n.d.イエール大学美術館
Two sketches of a bust, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo sketches of a bustn.d.イエール大学美術館
An Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyAn Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer1884イエール大学美術館
Sketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenue, Edwin Austin Abbey, ca. 1890–1891Edwin Austin AbbeySketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenueca. 1890–1891イエール大学美術館
Study for Columbus in the New World (oil painting), Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyStudy for Columbus in the New World (oil painting)ca. 1906イエール大学美術館
Sketches of hands holding wine glasses, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of hands holding wine glassesn.d.イエール大学美術館
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