Caspar David Friedrichドイツ, 1774–1840Zwei Baumstudien
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ドレスデン銅版画展示室
ドレスデン, ドイツ
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 出典
- 美術館自身の所蔵データ
作品データ
カタログ収録
出典
- ドレスデン銅版画展示室: the museum's own open data · 6 日前に取得
- 画像： ドレスデン銅版画展示室 — In Copyright
その頃、Caspar David Friedrichの人生では
生涯をすべて見る1807
The turn to oil painting
Until 1807 Friedrich works exclusively in drawing, chiefly in pencil or sepia, and then turns to oil painting as well.
1808–1809
The quarrel with Ramdohr: can a landscape stand on an altar?
The altarpiece is generally coldly received but becomes Friedrich’s first painting to win wide publicity: friends defend it publicly, while the critic Basilius von Ramdohr publishes a long article challenging the use of landscape in a religious context. In 1809 Friedrich answers with a programme comparing the rays of the evening sun to the light of the Holy Father — the only time he recorded a detailed interpretation of his own work.
1810
The Prussian Crown Prince buys two paintings
The Prussian Crown Prince buys two of Friedrich’s paintings, and in 1810 the artist is elected a member of the Berlin Academy.
1810
Meets Goethe
In 1810 Friedrich meets Goethe, who rightly appreciates his work and introduces him to the artistic circles of Germany.
