Lee Krasnerアメリカ合衆国, 1908–1984White Squares
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ホイットニー美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 8 日前
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 75.1
出典
- ホイットニー美術館: the museum's own open data · 8 日前に取得
- 画像： ホイットニー美術館 — © the artist or rights holder
その頃、Lee Krasnerの人生では
生涯をすべて見る1940s–1950s
Signing “L.K.” instead of a name
She often does not sign her works at all, signs with the gender-neutral initials “L.K.”, or blends her signature into the painting so as not to emphasize that she is a woman and the wife of another painter.
1949
Exhibition “Artists: Man and Wife”
With Pollock she takes part in a group exhibition at the Sidney Janis Gallery as “Mrs. Jackson Pollock”; an ARTnews reviewer writes that such wives “tidy up” their husbands’ styles, turning his unrestrained lines into neat little squares and triangles.
summer 1950
Betty Parsons visits her studio
The gallerist Betty Parsons, visiting The Springs, sees Krasner’s large black-and-white “automatic” figures and offers her a show; by the time of the exhibition the artist has shifted to colour field painting and destroyed these figurative works.
