White Chin Corn Maiden, Andy Rickey, 20th century
Andy Rickeyアメリカ合衆国

White Chin Corn Maiden

20th century · Sculpture, Ceremonial Objects

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ミネアポリス美術館

ミネアポリス, アメリカ合衆国

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出典
美術館

この彫刻について

L2021.153.1 - L2021.153.5

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This gift offers excellent examples of how the Hòpituh Shi-nu-mu (Hopi) have carved katsinam figures for centuries. It is a skill only mastered through a lifetime of dedication, not simply to the craft but also to the culture and society as well. Katsinam are the physical embodiment of the spirits that bring rain and sustenance to the Hopi people. It is a common belief in Native American communities that everything has a spirit. In Hopi culture, spirits of plants, animals, food, and water are brought to life by the katsinam. When choosing the cottonwood root, the carver waits patiently until the wood presents itself to be carved. The spirit of the cottonwood is then given a physical form, to be used in a ceremonial manner or as teaching tools for children. Carvers are limited to carving figures only seen in their own clan societies. Traditional carvings are done with minimal detail. Contemporary carvings, like the ones here, are incised with fine lines and accentuated by paint.

L2021.153.6

Before creating in clay, Joe Cajero, Jr., sits in a meditative state waiting for the clay to take shape in his mind. His attention to detail is so great, this Koshare’s face would be recognizable in any Pueblo. The Koshare is holding two frogs, one in each hand, with a third frog sitting atop his head. In Pueblo culture, the frog is a connection to nature and represents fertility. Though playful, the Koshare is important to Pueblo culture and ceremony: a spiritual representation of fertility, he is often seen in ceremonial dances celebrating a bountiful harvest.

ミネアポリス美術館

作品データ

収蔵番号
2021.116.1

カタログ収録

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