Wée-ke-rú-law, He Who Exchanges, George Catlin, 1832
George Catlinの肖像George Catlinアメリカ合衆国, 1796–1872

Wée-ke-rú-law, He Who Exchanges

1832 · Painting · 73.7 × 60.9 cm

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『Wée-ke-rú-law, He Who Exchanges』は今どこに? スミソニアン・アメリカ美術館, Luce Foundation Center, 3rd Floor, 3A, ワシントンD.C. はい、現在展示中. 確認 2026年9月25日.

スミソニアン・アメリカ美術館

ワシントンD.C., アメリカ合衆国

展示室Luce Foundation Center, 3rd Floor, 3A

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この絵画について

This portrait reflects George Catlin’s respect for the Native Americans who posed for him. He Who Exchanges looked directly at Catlin while the painter worked to capture his likeness. The figure’s pose reflects the symbolic importance of the effigy pipe he holds in his hand. Catlin had been given a similar pipe by a Pawnee, who explained that the seated figure on the pipe was his own portrait and that it would enable him to look a white man in the face. (Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)

スミソニアン・アメリカ美術館

作品データ

収蔵番号
1985.66.121

描かれているもの

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出典

その頃、George Catlinの人生では

生涯をすべて見る
  1. 1830

    First journey west with Governor Clark

    He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.

  2. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  3. 1832

    Up the Missouri to Fort Union

    He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.

  4. 1833

    Prince Maximilian’s expedition sees his work

    At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.

  5. spring 1834

    Fort Gibson: portraits of Cherokee, Choctaw, Osage

    Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  6. 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

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