Wall Drawing #91
見られますか？
不明
『Wall Drawing #91』は今どこに？ 所蔵: イエール大学美術館, ニュー・ヘイヴン. 現在展示中かどうかは不明.
ニュー・ヘイヴン, アメリカ合衆国
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品について
From the exhibition Many Things Placed Here and There: The Dorothy and Herbert Vogel Collection at the Yale University Art Gallery:
続きを読む
Sol LeWitt created his first wall drawing—a temporary drawing of lines executed directly on a wall and made following a specific set of instructions—for a group exhibition in 1968. When the exhibition ended, the work was painted over. The idea for the work, however, remained and could be realized in another location. LeWitt conceived of and first realized Wall Drawing #91 in 1971; it was realized anew for this exhibition by following his instructions: “A six-inch (15 cm) grid covering the wall. Within each square, not straight lines from side to side, using red, yellow and blue pencils. Each square contains at least one line of each color.” The Vogels acquired a number of LeWitt’s wall drawings, one of which was executed by Dorothy and is still on a wall in the Vogels’ apartment today.
イエール大学美術館
作品データ
- 収蔵番号
- 2013.69.1
カタログ収録
出典
- イエール大学美術館
- 画像： イエール大学美術館 — Image: Yale University Art Gallery · In Copyright
その頃、Sol LeWittの人生では
生涯をすべて見る1960s
“Sentences on Conceptual Art” in 0 to 9 magazine
His piece “Sentences on Conceptual Art” is published in issue 5 of 0 to 9 magazine; it becomes one of the most widely cited artists' writings of the 1960s, exploring the relationship between art, practice and art criticism.
late 1960s
Teaches at New York schools
In the late 1960s he teaches at several New York schools, including New York University and the School of Visual Arts.
1969
“When Attitude Becomes Form” in Bern
Harald Szeemann invites him to take part in “When Attitude Becomes Form” at the Kunsthalle Bern, Switzerland.
1970
First retrospective in The Hague
The Gemeentemuseum in The Hague presents his first retrospective exhibition.
1972年6月30日–1972年10月8日
Exhibition: Documenta 5
1972–1973
Museum shows in Bern and Oxford
In 1972–1973 his exhibitions are mounted at the Kunsthalle Bern and the Museum of Modern Art, Oxford.
