Virgin and Child

c. 1520 · Painting

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シカゴ美術館

シカゴ, アメリカ合衆国

展示室展示室 207

一般公開されています。裏付けとなる出典は下に記しています。

確認: 3 日前
この状態になった日: 2026年8月19日
出典: 美術館

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この絵画について

The first Netherlandish painter known to have studied Classical sculpture in Rome, Jan Gossart here fused the vocabulary of the Italian Renaissance with a traditional Netherlandish diptych (two-panel) format. The Virgin Mary’s draperies and the child’s athletic figure show Gossart’s command of the new Renaissance style perfected by Italian artists Michelangelo and Raphael. The glance and blessing gesture of the infant Jesus are directed beyond the picture to the right, suggesting that the panel was once joined by another depicting a donor in prayer. Earlier Netherlandish patrons favored this construction of paired, hinged panels for portable altarpieces.

シカゴ美術館CC BY 4.0

作品データ

収蔵番号: 1957.47

描かれているもの

Virgin and child/Madonna and child Biblical 子供 Christian subjects Christianity 女性 Woman with children

カタログ収録

絵画油彩フランドル絵画ルネサンス 16世紀オランダ

出典

シカゴ美術館
画像：シカゴ美術館 — CC0

その頃、Jan Gossaertの人生では

生涯をすべて見る

1517–1524 · 活動地
Utrecht
1517–1524
Jan van Scorel is among his pupils at Duurstede
During the years at Philip's court in Duurstede, Jan van Scorel studies under Gossaert; it was probably the master who inspired him to undertake a long tour of Europe. From then on, journeys across Europe became the custom among Netherlandish artists, Rubens and Van Dyck among them.
1521
Dürer travels to Middelburg to see Gossaert's altarpiece
Albrecht Dürer comes expressly to Middelburg to see the altarpiece of the Descent from the Cross, a replica that Gossaert made at the order of Philip of Burgundy after the celebrated picture of Tongerlo Abbey. Dürer admired the work.

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