Aleksandr Rodchenkoロシア, 1891–1956Varvara Stepanova
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ニューヨーク近代美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 793.1998
出典
- ニューヨーク近代美術館: the museum's own open data · 13 日前に取得
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Aleksandr Rodchenkoの人生では
生涯をすべて見る1920–1930
Professor at VKhUTEMAS/VKhUTEIN
For ten years Rodchenko teaches in the woodworking and metalworking faculties (merged into the Dermetfak in 1928), training students to design multifunctional objects for everyday life and public buildings, expressive through construction rather than ornament.
1923–1928
LEF and Novy LEF with Mayakovsky
From 1923 to 1928 Rodchenko works closely with Mayakovsky — photographing him several times and designing and laying out LEF and Novy LEF, the Constructivists' publications; many of his photographs serve as their covers.
1925
Sent to Paris for the World Exhibition
Appointed to the Soviet exhibition committee, Rodchenko is sent to Paris to design the Soviet pavilion, built to Konstantin Melnikov's plans.
1926
First angled shots published in Sovetskoe Kino
The magazine Sovetskoe Kino publishes his first angled shots of buildings — the series “The Building on Myasnitskaya” (1925) and “The Mosselprom Building” (1926). Rodchenko champions high and low viewpoints and a dynamic, documentary-precise view of the world.
1928
First accused of formalism
The charge of “formalism” that would dog Rodchenko is first raised in 1928 in the pages of Sovetskoe Foto. By some accounts, that same year he joins the October group.
1929年5月18日–1929年7月7日
Took part in: Film und Foto
