Edward Ruschaアメリカ合衆国, 1937Various Small Fires and Milk
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ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 707.2011
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Edward Ruschaの人生では
生涯をすべて見る1962
“New Painting of Common Objects” in Pasadena
Ruscha takes part, with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Jim Dine and Wayne Thiebaud, in “New Painting of Common Objects” at the Pasadena Art Museum, curated by Walter Hopps. It is regarded as one of the first Pop Art exhibitions in America.
1963
“Twentysix Gasoline Stations” is published
The first of sixteen small artist's books produced between 1962 and 1978; the photographic books present precisely what their titles describe.
1963
First solo exhibition at Ferus Gallery
His first solo exhibition takes place at the Ferus Gallery in Los Angeles, around which a group of artists has gathered, among them Robert Irwin, John Altoon, John McCracken, Larry Bell, Ken Price and Edward Kienholz.
1966
“Every Building on the Sunset Strip” is published
A book of continuous photographs of a two-and-a-half-mile stretch of the 24-mile Sunset Boulevard.
1966
“Los Angeles Now” in London — his first European exhibition
Ruscha is included in “Los Angeles Now” at the Robert Fraser Gallery in London, his first European exhibition.
1970
The “Chocolate Room” at the Venice Biennale
Ruscha represents the United States at the Venice Biennale as part of a survey of American printmaking with an on-site workshop, and constructs “Chocolate Room”: 360 sheets of paper permeated with chocolate hang like shingles on the gallery walls, and the pavilion smells like a chocolate factory. In 2003 the Museum of Contemporary Art in Los Angeles acquires the installation (then worth about $1.5 million).
